Tomorrow

On December 20, 2012, the eve of what may be the end of the world, Stacey decides he wants to see his ex-girlfriend, Parker. Though not entirely convinced of impending doom, Stacey convinces Parker to embrace the notion that this might be the end, and she agrees to spend the day with him, making sure to fit as much into these final moments as possible. Stacey and Parker bump into old friends and fall into old patterns, all the while struggling to embrace the present and not focus on the past.

A film about the state in which the aspiring artist finds herself. In a creative world, the artist's desperate pursuit is transformed into her own purgatory by bitter competition and constant need for confirmation.

CHIKARA seeks to stop the Flood in the Cibernetico Royale, and the Throwbacks defend los Campeonatos de Parejas against a devastating duo! All hope rests on Icarus’ shoulders when he battles Deucalion one-on-one inside a steel cage!

Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.

In California, a young Caucasian girl and a Japanese-American boy defy local prejudices and secretly marry on Dec. 7, 1941, minutes before Pearl Harbor is attacked.

Chandigarh's modern architecture is explored through Le Corbusier's early writings on repetition and order. The architect's zealous ideals taken from his 1929 The City of Tomorrow and Its Planning are revisited via the buildings and symbolism of the planned capital city.

Imtiaz divorced his wife in anger but he realizes his mistake soon and wants his wife back, he can only get her back by marrying her to someone until her new husband consummate the marriage (as per the Halala law ) first. So he sacrifices her for and arranges her marriage to someone else . But very next day of Nikha (Marriage) when Imtiaz went back to get her wife back . Her new husband is not ready to divorce her as he want to enjoy the benefits of this marriage .Now he is fooling Imtiaz that he haven't consummate the marriage still he can not take her wife back . Imtiaz struggles daily to get her wife back .

A French New Wave representation

A young couple living in the streets of Hollywood master a plan to leave Los Angeles in order to escape jail, drugs and a life of hopelessness.

After being diagnosed with Alzheimer’s, a transgender person decides to undertake a conscious death.

We Demand Tomorrow is a Marxist documentary looking at the material basis of communism in context of the extinction crises today faced by our species. The film explores the Marxist view of historical development and the historically limited nature of capitalist society both theoretically and concretely through a critique of the economic and environmental crises faced by our species. It then goes on to demonstrate that Marxist communism is a material necessity for our species' survival, presenting the solutions to extinction in outline.

A Centron Film presentation, produced by Gordon-Kerchoff, this color film is about a teenage girl who overdoses on alcohol and pills, and winds up in a coma, opens with the girl recovering in a hospital bed. This scare film from 1979 is essentially a public service announcement on the dangers of getting involved in drugs and the horrible effects that using drugs and overdosing can have on an individual and their loved ones.

A black-and-white surrealist short film from writer-director Yale Kolin.

This is Tomorrow is the third film of 'A London Trilogy, the films of Saint Etienne'. A History and reconstruction of the Royal Festival Hall, interviewing surviving architects and designers including Leonard Manasseh and Robin Day. The film also documented the hall's complete refurbishment from 2005-2007, which has once again made it London's cultural centre.

Life in Merseyside, showing the role of the region's two newspapers, the Liverpool Daily Post and the Echo. The story of the production of the newspapers is interwoven into the lives of the Merseysiders.

No Tomorrow is a new video installation by Kjartansson, choreographer Margrét Bjarnadóttir, and composer Bryce Dessner. Spanning six screens that encircle the room, the installation surrounds viewers with a performance of spatial music written for eight dancers with eight guitars. Recorded from the center of the performers’ space, the installation is kaleidoscopic, capturing the dancers as they weave within each screen and across the channels; their movements and melodies ranging from pastorale to rock and roll. Combining a variety of classic Western references – blue jeans and white t-shirts, the draped silk curtains of mid-20th century song and dance films, as well as lyrics drawn from the Archaic Greek poet Sappho and adventurer Vivant Denon, two sensualists millennia apart – the work spins notions of idealization and iconography.