This Is Opera

Nina Ananiashvili dances the dual roles of Mlada and Cleopatra in this acclaimed production of composer Nikolai Rimsky-Korsakov's "Mlada," directed by Boris Pokrovsky and choreographed by Andrei Petrov. Voislava, the daughter of a scheming prince, is forced to present his rival's bride with a poisoned ring so Voislava can marry him instead -- and her father can take over his kingdom. Will she get her just desserts when the gods intervene?

Hitler and Mussolini were able to assist each other in achieving their respective designs. But when the conflict came to a head, the realities of war soon tore the mask off of their united front. Two nations with totally different cultures had sworn allegiance to each other, but their divergences would soon make themselves abundantly clear. The idea of the film is to examine Italy and Germany's false alliance, particularly from the point of view of Mussolini, the less powerful of the two despots, and therefore the more inclined to believing in castles in the air. Their relationship is film-worthy in and of itself, but in addition, it tells the history of World War II, seen from the "enemy's" point of view. It will lead us to address certain aspects of the conflict that are less well-known, but no less rich in what they have to teach us.

Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.

Story about a hard way to the stage. Our hero gives up his job in a restaurant to find fame on fortune at the opera. will he succeed?

Twenty homeless people, one opera. An Amsterdam based homeless choir is rehearsing an opera written for them. Who is setting the rules?

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

Villagers of Kovilj grow cattle on the Danube islands. Marko, an owner of ten horses, around twenty cows and other cattle is a good friend with a Roma named Kamer, who helps him sell the cattle at local fairs. Željko, a young horse breeder leads the villagers when they try to save the cattle in the spring of 2006 from the big flood. An attractive waitress Ana rivets attention of the young men from Kovilj. Life and work close to the Danube connect the Roma people and the locals, and together they show up at the village gatherings (birthdays, patron saint’s days). After unsuccessful emotional relationships, Ana and a couple of her friends decide to leave the village and seek happiness on the other bank of the Danube.

A classic returns to the Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia– a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.

The Vienna State Opera on Thursday before the Carnival. As every year the large ball rather is attended by celebrities from politics and the media. Just the arrival of newcomers is finished and the Polonaise faded as it is in the best tradition: "Alles Walzer". transferred with 20 cameras live throughout the world. Television journalist Fraser (Heiner Lauterbach) views the event from the control room, outside in the hall leads his son has one of the cameras. Suddenly all hell breaks loose: poison gas flows from hidden containers, hundreds of guests die in agony, millions of horrified spectators experience it on the TV screen...

Celebrate the tenth anniversary of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD. The broadcast of Donizetti's Roberto Devereux will be presented live on Saturday, April 16 in select cinemas nationwide. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elina Garanca and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, directed by Sir David McVicar and conducted by Donizetti specialist Maurizio Benini.

A dramatization of the life of Wolfgang Amadeus Mozart beginning from the age of 17 culminating with his death in 1791 at the age of 35. It uses both original pop-rock compositions as well as pre-existing music composed by Mozart and other composers, including Antonio Salieri. Based on the French musical "Mozart, l'opéra rock" first performed in 2009.

Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

Brian Anderson, Chany Jeanguenin, Marc Johnson, Mike Carroll Video #10

Captain Pronin faces a threat unlike any other, opera!

Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.

New anime announced at "Live Milky Holmes Full Color Festival" concerts.