This Is Modern Art

Story 1: A superstitious girl who would only marry her 29th boyfriend. The 29th boyfriend is impotent. Story 2: A promisurous girl whose husband is in jail comes home one day. Story 3: A lesbian refusing to become straight Story 4: A beautiful woman who only likes men that belong to others for the challenge. Until she falls in love.

Set during the era when Korea was under Japanese occupation. Shin-Deuk (Jin Ji-Hee) is the daughter of a poor noble family. She married Jong-Suk (Oh Seung-Hoon) at a young age. Her in-laws, who are pro-Japanese, are rich. Her marriage life doesn't go well. Jong-Suk does not like his wife at all. In order to make Jong-Suk like her, Shin-Deuk decides to attend school. There, she falls in love with Woo-Jin (Yun Ji-On). He is a teacher at the school. Shin-Deuk is in love for the first time in her life, but she has a rival. Her rival is her servant Young Yi (Kim Si-Eun).

Love is a thing. And live every living things, it has a beginning and an end. And every end offers the promise of another new beginning. On average, the modern relationship consists of 13 stages...

The architect Georg Wall is sitting in his spacious Stockholm apartment. He has been waiting several hours since lunch for his significantly younger wife, Lola Wall, to appear. When she eventually comes home, she wants a divorce.

Characters of the series "Ostorozhno, modern. 2 " together with new eccentric characters performed by show business stars celebrate the New Year in a 19th century estate near St. Petersburg.

Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.

Fujiko wanders aimlessly through the country, seeking vengence on the man she onced loved, who betrayed her, and destroying her family and her life. When she discovers that man had already died, she loses her will to live. But in a twist of fate, she meets Tatsumi, a raising star in the Horikawa Family. She quickly falls in love with him and his yakuza lifstyle. But when Tatsumi is chosen to but the next Boss of the family, his jealous sworn brother Morito kills him with the help of a mysterious man behind the scenes. Now Fujiko becomes a Bakuto, a wandering yakuza gambler, and once again, walks the bloody path of vengence...

Katerina, a poor girl, finds a job as a secretary and falls in love with her boss on a trip to Rome.

A three-part love story: Alborada, Cénit y Ocaso (Sunrise, Noon and Sunset). A dying prince (Agüeros) lives a stormy love affair with a "femme fatale" (Padilla) who doesn't care for his feelings.

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

When a large crime syndicate seeks to invade Gifu's underworld, three brothers and their yakuza family are the only ones that stand in their way.

Hong Kong movie