The Talk Saison 1 Épisode 86

After hitting a dog with his car, Stefan, guilt-ridden, decides to bring it with him to the hometown lake, where he is headed in order to complete the film about his mother who has recently passed away.

DVD of Joe Pasquale's 2005 Live Show Tour

Many centuries ago, on the southwest coast of India, in Travancore, the art of kathakali dance arose, the most important place in which gestures occupy.

A poetical quotation puts a damper on high expectations of earthly life. Because human beings were not sent to earth but cast out to it. Disappointments are to be expected. In “I Still Talk to You,” Turkan Huseyn illustrates a conversation with her friend. It is about love and the longing to return to the past, about childhood and its no longer existing coordinates in time and space. A melancholy dialogue broken up by brief encounters: stranded looking people who also explain their views of and experiences with love. Meanwhile, the fish in the Caspian Sea are coated in a thin layer of oil that merely needs to be wiped off. It used to be less dirty here, Turkan Huseyn says. When you are a child, everything seems less dirty, her friend replies. A laconic zooming back and forth between inside and outside, in the centre of which a few buckets of blood-red flowers bloom anyway.

As pupils at a school for the visually impaired, best friends Diana and Fitri are living full and complicated lives in spite of their sensory limits.

Things We Don't Talk About: Woman's Stories from the Red Tent is a groundbreaking 72-minute documentary film by award winning filmmaker Isadora Gabrielle Leidenfrost, PhD. Spontaneous and organic, a Red Tent is a red textile space where women gather to rest, renew, and often share deep and powerful stories about their lives. The Red Tent movement is changing the way that women interact and support each other by providing a place that honors and celebrates women, and by enabling open conversations about the things that women don't want to talk about in other venues

Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.

Ali learns that Derya is a "comfortable" girl and invites Derya to the house by taking advantage of the absence of his family. I’m Not Talking About That, bears witness to a day of these two teenagers trying to build relationships in the height of adolescence.

Synopsis Le-Hun moved away to avoid her good friend Tshiu-Bi and her husband Siu-Gi, but by a twist of fate, she ended up rekindling her romance with Siu-Gi and accidentally fell pregnant with his child. Forty years later, Le-Hun’s grandson uses his camera to capture her recollection of the past and her yearning for her son.

According to legend, there is a type of person who can walk in the yin and yang and know ghosts and spirits. Shen Xiaohan adhered to Master's last wish and escorted Master's ashes back to his hometown for burial. On the way home, he passed a family and learned that there was a ghost here, and the owner Wu Laohan was deeply hurt by it. Wu Laohan knew about the ghosts. With the ability, he asked Master Xiao Shen to come to exorcise the ghosts...

The film constructs its artistic framework around four groups of people: the "murmurers," the "mute," the "mad," and the poets. Each group possesses its unique way of expression to demonstrate their passion for the right to speech. For instance, the "mute" desperately uses sign language to express his views of the world, yet no matter how fervent his gestures are, it cannot change the indifference of others towards him. As for the poets, who are considered "normal people," even their acclaimed works, which were enthusiastically circulated among the crowd, eventually face absurd deconstruction by the normal group. The failure of communication plunges the expressers into a "prisoner's dilemma." In fact, in every linguistic system, every individual ultimately becomes a prisoner...

A one-day car trip of a woman and a stranger girl involves a journey of self-awakening.

Documentary illustrating the birth of sound cinema.

Memo is a nine-year-old boy who lives in Turkey with his mother and little sister, while his father works in a Netherlands seaport. When war looms near his family home, Memo's father moves the family to be with him in the Netherlands. Memo is unhappy at having to leave his village, his best friend, Mustafa, and his job as a mail boy. Once installed in his father's basement flat, Memo begins his own protest at being removed from his home by refusing to speak.

LIU and WEN share a collaborative relationship in film, and also a close friendship despite their age difference. In this visit by WEN, we enter LIU’s life and reflect on her five-decade career in acting. Regardless of glamour or monotony, a steadfast mindset always prevails.

Tine wants to find her dream boyfriend, but can't find him that easily. Her male best friend enjoys his single life, until they feel attracted to each other.

This documentary goes inside the world of the negotiators from the New York Police Department Hostage Negotiations Team.

Charkh (Persian: چرخ‎ lit. "wheel") is an Iranian television talk show that has aired on IRIB TV4 since 2015.[1] Each episode focuses on scientific topics and is approximately 75 minutes in length. The series airs every working day-night (six days a week).