The Talk Saison 1 Épisode 84

This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.

With his background in Brechtian theater and the material-like, pure poetic style of his documentaries, Thomas Heise has created his very own kind of filmic expression.

The cinematographer and idiosyncratic filmmaker Elfi Mikesch has significantly contributed to the extension of the aesthetic boundaries of the "standard" documentary.

Interview with Peter Nestler about his filmmaking practice conducted and directed by Christoph Hübner

Interview with Jürgen Böttcher about his filmmaking practice conducted and directed by Christoph Hübner

Interview with Volker Koepp about his filmmaking practice conducted and directed by Christoph Hübner

Interview with Klaus Wildenhahn about his filmmaking practice conducted and directed by Christoph Hübner

The sequel for the short webdrama titled "Happy Talk".

Despite or perhaps because of his position at the public television channel ZDF, Hans-Dieter Grabe has developed his own unmistakable signature style which falls between journalism and documentary (similar to Klaus Wildenhahn during his time at the TV channel NDR).

Because of the health emergency, this year we cannot actively commemorate the anniversary of the Portella massacre. Let’s find out what witness Serafino Petta thinks.

How do we negotiate the photographing of images that contain the body? What experiential, political or aesthetic contingencies do we bring to both the making and viewing of a cinema that contains the human form? If a body is different from our own – in terms of gender, skin color, or age – do we frame it differently? How does looking at a body on screen make us feel? At CCA, New York filmmaker Lynne Sachs will guide her audience through her own evolution as a filmmaker by sharing excerpts from her own films. In this way, she will explore the fraught and bewildering challenge of looking at the human form from behind the lens.

In a dystopian 2049, three women in Taiwan navigate their roles as mother, daughter and wife — as technology takes a toll on their lives.

Chinese movie

Animal photographer Olga Michi shows viewers the rarest and hardest-to-reach representatives of wildlife face to face

In this talk, Li Hongqi reviewed his transition from fine art to cinema, and his aesthetic and philosophical exploration from his early 'So Much Rice' to recent 'The The'. Dir. Li Hongqi also shared his strong anxiety of his existence(born with melancholia), his thought on cinema art (actually, I don't think there's any movie worth making), his epistemology, his religious view, his consideration on contemporary cinema, and what he learned about living in seclusion.

The series follow the story of a high school boy who lives in Tokyo, and his childhood friend, Hakatano Donko-chan, who is from Hakata and really talks in Hakata dialect! People around her sometimes get confused because of it, but her dialect makes them smile!

The 12th-Gen Members sit down and talk about various topics in a Radio style setting. Part 1.

The 12th-Gen Members sit down and talk about various topics in a Radio style setting. Part 2.

Plump and erotic idol Kano Roku dons a costume with a very small area of cloth and strolls through a plum grove where evil spirits lurk, an abandoned road where female spirits appear and a valley bottom where a drowned body was found, and confesses her own spiritual experiences.