The Talk Saison 1 Épisode 84

Daniel O'Neil is a promising writer who has to work hard when Dora, his rich girlfriend, breaks up with him. Expelled from the hotel where he lives in Copacabana, Daniel moves into the small apartment of Meg, his best friend. He puts them both in danger when he gets a ride with a drug dealer who ends up being chased by the police and asks Daniel to keep two packages of cocaine.

A portrait of António Campos, an extraordinary cineaste that was called an amateur, one of the most unique Portuguese directors due to the way he filmed the country on the 1960 and 1970’s. Considered as a director out of the mainstream, a loner, instinctive, Campos stands for the passion of filming.

To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.

A man, an actor and his character in the dressing room of a theater. An “on the road” journey across Europe. A character who is both ironic and tragically lost in the midst of everyday objects strewn throughout his days – shoes, cell phones, streets, stoplights – giving birth to an archipelago from a shipwreck, the refuge of a thought seeking to escape from itself. He exists in a precarious balance between his thoughts which flow, oftentimes in a whisper, and the bombardment by external stimuli that bring him back to the reality from which he’s trying to escape, in an agitated soliloquy that is both comical and paradoxical.

Luísa, 16 years old, faces a loss for what she is not prepared.

After sharing with his best friend his suspicion that his own wife is cheating on him, a young man calls back hours later to dismiss his own account. But he can't know what his friend knows. "Uma Noite Perfeita Para Falar de Amor" (A Perfect Night to Talk about Love) is a bittersweet comedy about love and betrayal loosely inspired in a short story by J.D. Salinger.

Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.

Is the hijab -- the veil associated with Muslim women -- a symbol of oppression, an emblem of cultural identity, a combination of these two elements, or something else altogether? Set against a backdrop of Madison Avenue ads and Hollywood movies that alternately romanticize and demonize the Middle Eastern woman, this program presents the history of Arab womanhood, from the days of the early colonial missions to the post-Gulf War era. Informed and articulate Arab women living in North America passionately elucidate the ideologies behind the veil, as they tear away the labels imposed by both East and West.

When a man sees a curious advertisement for a talking dog for sale cheap, he pursues the offer with natural skepticism...

In a small city in the north, the time of midsummer is very short. Two boys get to know each other by chance and agree to meet by a lake. But one of them doesn’t keep the agreement, and it begins to rain heavily.

"Parler de Rose" (Talking about Rose), narrated by Oscar-winning actress Juliette Binoche and directed by Isabel Coixet examines the life and death of Rose Lokissim a prisoner of Hissène Habré, the former dictator of Chad. Survivors of Habré's jails remember Rose as a brave inmate who took care of the sick and kept up the prisoners' morale. She also delivered clandestine messages to the outside world to inform relatives of their loved ones inside. Ultimately, Habré's political police, the DDS, learned of the messages and murdered her. Among the DDS files uncovered in 2001 by Human Rights Watch was the police report of Rose's last interrogation. Rose's questioners wrote that Rose said that even if they killed her, "Chad will thank her and history will talk about her." Now, 29 years later, Rose's courage is finally being remembered as Hissène Habré stands trial beginning 20 July 2015 before a special court in Senegal, where he has lived since he was overthrown in 1990.

The film was based on an interview with the late dramatist Saadallah Wannous a few months before he died of cancer. Wannous narrates his somber and relentless reflections – an adieu to a generation for whom the Arab-Israeli conflict has been the source of all disillusion. The playwright recounts, with some regret for the lost opportunities that resulted, how the Palestinian struggle became a central part of intellectual life for an entire generation

Putra, a 5 year old boy, is circumcised for the first and last time. One day when Yeni (Putra’s mother) was preparing a party for her child, Putra suddenly fainted and something strange happened to his genitals.

The current state of life of unsuccessful literary youth.

Dilan works in her uncle's real estate office and lives with her mother. She will turn thirty soon, and feels she is not living up to her potential. A documentary crew follows her while they try to figure out the problem.

Why Horror? Why has this type of literature become an important pillar, and a hard challenge for those seeking to get into it? And more importantly... Why do people love Horror Fiction?

The story of an Iranian woman, Tina, who questions her decision to keep her child due to the women's movement in Iran and the fact that the child is a girl.

Henri Langlois, founder and director of the Cinémathèque française, is interviewed in his museum at the Palais de Chaillot and talks about cinema. “Henri Langlois's anti-courses” are made up of a set of short films, or more exactly of chapters. Each chapter is devoted to a filmmaker or to a significant pivotal period of such or such a country and of such or such style, or to a group of men whose action was, at one time, decisive for the course of cinema.