The Talk Saison 1 Épisode 61, Streaming avec sous-titres en Français, the talk || Regardez tout le film sans limitation, diffusez en streaming en qualité.
A father who is confused about explaining the definition of sex to his daughter who is still in first grade, because she feels that it is not the time for her daughter to understand sex.
A family reduced to imminent poverty by the father's disinclination to work; an American lawyer looking for the heir to half a million pounds; the scene is set for a hilarious tale of creative deception!
Relationship Therapist, Dr. Jill Peterman, had the highest-rated call-in radio show when her world was pulled out from under her following the on-air suicide of a female caller named Alexis. Shaken to her core, Dr. Jill walked away from her show vowing she would never go back. That is until Stuart, the station's General Manager, pleads with her to reboot the show in an effort to bring followers back to the station. Still haunted by what happened, Jill agrees to help her friend out and believes this will be the perfect remedy to put her year-long anxiety to rest. As Jill starts to settle back into her show, mysterious call-ins start happening forcing her to believe there could be a copy-cat out there. What Jill begins to uncover is a web of secrets and lies stemming from the mysterious voice she has come to know as Alexis.
Grace King Bichon, who is managing her father's riding-stable, discovers that her husband Eddie is deceiving her with another woman. After confronting him in the middle of the night on the streets of their small home town, she decides to stay at her sister Emma Rae's house for a while to make up her mind. Breaking out of her everyday life, she starts to question the authority of everyone.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
The events in Mahallada duv-duv gap occur in a mahalla — a traditional Uzbek neighborhood — in an old part of Tashkent at a time when big-scale construction works are taking place. The movie humorously depicts the relationships between traditional parents and their modern children.
