The Talk Saison 1 Épisode 22

A native teenage boy who, with an urge from his gang tried to take his girlfriend, Ning, to bed. The mission failed and even worse, Berm’s ” little brother” began to talk on his own after being Ning’s kicking target. The “little brother” holding on his desire for a girl for too long, started messing around with his naughty uncontrollable behavior and Berm had to come after him to fix things right. Whether the boy wins over his “little brother” and understands the meaning of love depends only on his strong mind and the inspiration from his true love.

A blocked writer and a troubled young woman who meet over a phone-sex line go on a journey together.

Urbanized and disintegrated, people make phone calls to restore the connection.

Dr. Drauzio Varella has a hypothetical conversation with his friend Hector Babenco, a filmmaker who died in 2016. The importance of friendship is addressed in the documentary based on the death of a friend — and shows the decrease in happiness and the irreplaceable void left by this game.

There is a woman who is digging her own grave. We follow her timeline backwards. A series of unfortunate events keep happening to her for uncertain reasons, and she reflects upon her life. What kind of life did she want for herself? Was her life on stage real, or was it just a staged act?

An adaptation of Liu Zhenyun’s award-winning novel One Sentence Worth Ten Thousand, produced by Bill Kong. The novel, which won the Mao Dun Literature Prize after it was published in 2008, revolves around a divorced woman and her married younger brother and deals with loneliness and alienation in contemporary Chinese society. The film marks the feature debut of award-winning short filmmaker Liu Yulin, who is adapting her father’s work. A New York University film graduate, Liu’s short film Door God (2014) won a silver medal at the 41st Student Academy Awards and was selected by Cannes.

Inspired by British director Mike Leigh's 'Secrets and Lies', the film was shot using a script with "no dialogue, only scene breaks", believing that "just by seeing two people in a situation, you can understand the situation and the feelings of the characters, rather than trying to explain them in a bad way". The actors were given only the events and situations and asked to move freely in the rest of the film. The actors did not try to speak excessively but instead tried to convey the psychology of the moment by performing everyday actions such as eating, washing the bowl, cleaning and sleeping in a restrained tone, and they succeeded well. The fixed-point cameras in several locations inside the house also play a major role in carefully following the small changes that occur in real life.

The first training work of Nastasya Marsakova, the first course of VGIK (workshop directing the feature films of Vladimir and Alexandr Kott).

Is this my body? Who am I? As the carrier of spirit and will, how does a woman’s body struggle, jostle, collide, and merge with all things other than themselves? The body seems to follow the mind as merely its shell or tool. However, the body does possess memory.

This 1999 program, broadcast on the Russian television channel Kultura, features an introduction by filmmaker Elem Klimov and film critic Irina Rubanova to an interview with director Larisa Shepitko that was recorded just after the 1978 Berlin International Film Festival.

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

A depiction of the problems caused by the rumors that newspapers spread about celebrities, through the story of a television presenter whose show, Newspaper Talk, causes her a lot of problems due to the news she discusses.

Spring is coming. Deaf-mute girl and boy feel the warmth of the sun on their faces, the air is flooded with light. The world of these young people lacks sound and their language is different, but they are happy about spring and each other.

A fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with conversations, thoughts, scenes of dance and literature excerpts.

A short film based on Ponkunnam Varkey’s short story, of the same title, Shabdikkunna Kalappa (the talking plow) narrates a heart-warming tale about a farmer and his ox Kannan, who he treats as kin.

Documentary about the life and works of Sadegh Hedayat. It follows a teacher, a researcher, and a journalist as they discuss some of Hedayat's most famous works and their influences. The film intermixes the three conversing along with a narrated history of the author with images.

Serialized in Aliwan Komiks.

Caught on opposing sides of a debate about a proposed centre for refugee children, two parents try to navigate the turbulent tides of public opinion.

Two workers hung in a crane talking about love. Shot by chance from a roof.