The Talk Saison 0 Épisode 1, Streaming avec sous-titres en Français, the talk || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Various performers, including MC Masahiro Nakai, "just talk" without deciding any theme in advance! Making use of "Robot Arm-Kun", a camera that moves 360-degrees in all directions with no instructions from staff. They hurry and talk to the last second so it is broadcast uncut!
The story is set in Ulukunchi of West Karbo Anglong. Sikaisal is a dream built by Maheshwar Patar who had tasted the fruits of knowledge in his native land. His journey begins as a sole primary school teacher. He sees a ray of hope when the school gets recognition from the government and he retires peacefully. His dream is shattered when he understands that education was never the priority for the people of his native land. The film has been made in Tiwa language.
Yasaman has been living with her mother Leila since birth. Leila has never let her see her father. When Yasaman gets brain death in an accident, Leila has one week time to get consent from her ex-husband for a vital issue.
“What nobody talks about” is an honest, heartfelt story about a reality experienced by many, yet unknown or barely talked about. Karoline is a 28 year old police officer who´s been fighting cancer for a year. Finally, she is announced cancer free and that means she can go back to her normal, everyday life. She is so excited for the next chapter. Everything’s gonna be better now! Right?
A documentary about the Danish artist John Kørner.
Documentary film about the life of blind musician Lan Yue.
What I say is never what you hear. It's like the printer misaligning the images little by little. This animation work portrays those communication gaps using various techniques including print, digital treatment and collage.
The Man Who is Talked About is the overly agreeable Toni Mathis (Heinz Ruhmann), a gent constitutionally incapable of saying the word "no" (or "nein," this being a German picture). Though he'd rather breeze through life without responsibilities or obligations, Toni agrees to study zoology in college because his uncle (Hans Moser) wants him to. Alas, despite the Herculean efforts by Toni's servant Hassler (Theo Lingen) to prepare his master for his final exams, Toni forgets to show up for the finals and is expelled post-haste. In desperation, his uncle arranges for Toni to get married, and once again our hero just can't say no. Trouble is, he falls in love with trapeze artist Bianca (Gusti Huber), whose father won't let her marry anyone except another entertainer. Undaunted, Toni studies a book on show business and tries out for the vaudeville stage, and the picture isn't even halfway over yet!
Two trans women, best friends in the truest sense of the word. They were born in the same year, grew up together in the same city, have the same sexual orientation, chose to live their lives their own way and to see their highest dreams come true: to be women. They will risk anything, but no one knows what is going to happen.
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
Spanish actress Charo López finds it hard to talk about herself; but she only needs to start reminiscing to discover that her life has been truly exceptional. The story of a legendary actress told by herself.
Sometimes, people are unable to confront with their true selves. Girls Who Talk To Flowers is an intense love story between a female racer and a florist. What sparks would they produce?
Andrew from Brick Monarch discusses various topics pertaining to the hit toy brand, LEGO.
After surviving a car accident, thirteen-year-old Edvin isolates himself from friends and family. When his father forces him to go to rehabilitation, he can no longer avoid dealing with his trauma.
Womanizer Aris finds out he is a carrier of a sexually transmitted virus, lethal only for women. But he is also the only hope for a curing vaccine if he finds which one of his ex girlfriends had the first viral strain.
After walking home alone, a shy fifteen year-old girl is rescued by a punk entity who shows her a world where she'll fit in just as she is.
film by Fady Dagher
The second part of her trilogy. A short documentary by Natalie A. Chao, reflecting about her memories through the subtitles while she visits a mall. Then, her memories come alive through old family video tapes.
A pair of unlikely characters sharing a drink with each other. As they find a space of familiarity, and perhaps, even warmth and friendship, the narrative further comes to be marked by instances of humour, a suggestion of isolation that often plagues existence in the urban space, also the starting point of pursuits of economic and social mobility, and an overlap between two disparate classes.
