The Story Of British Pathe

The true and tragic story of a very young and very talented comedian from the 70's whose sudden rise to fame had some of its benefits -- and some of its burdens.

In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Explores the seminal music magazine from its 1969 launch in Detroit to the untimely death of its publisher Barry Kramer in 1981.

Some thirty years ago, a working-class subculture was taking grip of cities across the UK that has left a lasting legacy. This began on the back of the mod revival of the late 1970s when notorious football firms from the cities like Liverpool, Manchester and London stole expensive designer sportswear from the countries they visited. It didn’t start with the high-street giants telling these lads what to wear. Instead, they set the trends and the high-street stores caught up. As the 1980s began in Britain, under the radar the ‘casual’ had already arrived. From Barcelona to Berlin, Milan to Moscow, teenagers today are copying fashions and a culture that developed on the streets and terraces of British cities. But how did the football casual subculture come about? What did they stand for? What made them tick? Why it’s legacy is still having an impact on today’s fashion industry.

Documentary from 1937 filmed in the small Indonesian West Java town of Malabar. Follows the entire process of tea manufacturing from being grown and harvested in the fields, ground and processed in the factory, and eventually shipped out to countries around the world. Excellent footage of Indonesian men and women working in fields and factories, being paid meager wages by Caucasian superiors, and the inner-workings of a factory. Great shot of an ocean liner passenger sitting in a deckchair relaxing over a cup of tea.

As the young girls have discovered the truth about the cruel fate of a magical girl, one magical girl after another is destroyed. Throughout it all, there is one magical girl who continues to fight alone - Homura Akemi. Puella Magi Madoka Magica the Movie Part II: Eternal is a retelling of the second half of the TV anime series.

Martial artist Wong is confronted by other masters. After he returns to his disciples, he vents his anger during a fierce fight.

Seul-Gi and Ah-Reum are 3rd year students at the National High School of the Traditional Arts. They are also best friends. Seul-Gi majors in pansori (Korean traditional music) and Ah-Reum majors in Gyeonggi Folk Music. During their summer break, the girls struggle with pressures and anxiety. They then take a special summer school class due to a lack of attendance. Meanwhile, the Education Burea informs their school that they will take part in a chorus contest. The school selects Teacher Ham, a composer, to make up the school's chorus team. The pool consists of students from the special summer school class. A conflict also ensues between Ms. Ham, who majored in western music, and the students, who are majors in traditional Korean music. Can the students compete in the chorus performance?

At a Senate crime hearing, four young girls testify as to how, shortly after their arrival in New York, they became "zero girls," also known as "party girls".

While at a bullfight Simona begins flashing back to a torrid sexual relationship she had with George. Her relationship with George was one of open sexual discoveries which eventually led to revenge and murder.

In Jerusalem the temple was the Holy Place, a place that King David’s son had built for worship. The enemy of the Jews had destroyed this temple and the Greeks had begun to attack and ruin the sacred treasures previously used in temple ceremonies. The spirit of the faithful Jews was broken as they saw their world falling about them.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

An undertaker who hasn't had any 'customers' in a long time is forced to pay one year's back-rent. To get money he starts to kill people, which brings absurd results.

THE QUIET REBEL tells the extraordinary, controversial story of radical feminist Australian performance artist Casey Jenkins: her rise to internet fame--and shame.

Johnny Cash appears in and narrates this retelling of the story of Jesus' Life, Death and Resurrection.

Meet the Raisins! spoofs musical documentaries with its use of anthropomorphic food characters. Through its historical perspective, the special also provided an opportunity to elaborate on the personalities and introduce names of the simple yet popular characters. It follows the California Raisins' humble beginnings, rise to musical success, fall from stardom, and eventual comeback. This includes "home movie" clips, scenes of the group's early days as the Vine-Yls, concert footage, and interviews with the people behind the success of the California Raisins including manager Rudy Begaman. The group is also shown performing various hit songs

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

A young woman travels through her psyche in order to find who murdered her lover, Juan.

Following Madoka's rewriting of the universe, sacrificing herself and her happy normal days to save all magical girls from the cruel fate that awaited them by wiping witches out of existence, the despair still manifest into creatures known as nightmares. Magical girl Homura Akemi continues to fight alone in the hope that she will be able to see Madoka smile again.

In their last year of high school, two girls in the brass band club perform a song inspired by a fairy tale that parallels their friendship.