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Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.
Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.
'The Private from Odessa' is a portrait of Boris Schnaiderman, Brazil's most important translator and essayist on Russian literature and culture. Using different cinematic approaches, the film depicts Boris as he reflects on his personal experiences —his childhood in the 1920's Odessa, his experience as a Brazilian soldier during World War Two— and on his still evolving work as a translator and essayist.
In the 18th century, a young prince is crowned king of a small kingdom. He tries to rule justly, but is undermined by his cruel aunt.
Left to their own devices in the middle of summer, Malo and Zoe try with all their might to attract their mother's elusive attention.
What does a lifetime of service get you? That's what Inès (Jasmina Douieb) wants to find out. As the long-time office manager for EcoCleanPro Cleaning Supplies, she's the only woman on staff in this very sexist office. She does whatever it takes to keep things running – even if it means replacing toilet paper her male coworkers can't seem to do themselves. After the regional manager's visit reveals abysmal numbers in gender pay equity at EcoCleanPro, Inès wants her dedication to pay off with a raise. Unfortunately, her request is rejected by her incompetent boss Patrick (Peter Van den Begin) and, fueled by the unfairness and under the watchful eye of Melody (Laetitia Mampaka), the new intern, Inès redoubles her efforts for compensation. When her history with Patrick rears its ugly head and leads to an accident, all hell breaks loose, and the two women must combine troubleshooting skills for possibly the biggest mess of their lives.
A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.
Two Air Force friends have fun during their enlistment.
The amazing and epic story of how the Paris Opera House, the Palais Garnier, was built from 1852 to 1870, thanks to the decisive impulse of the French Emperor Napoleon III; a story that is also that of the birth of a golden age for orchestral music, opera and ballet; of the rise of the urban bourgeoisie turned social elite; and of a certain mysterious inhabitant of the darkest corners of a legendary place.
