The Man Who Cycled The World

En eminent pianist is made deaf by an anarchist's bomb during a command performance.

A biography of Sam Phillips, founder of Sun Records in Memphis, TN, which launched the careers of icons like Elvis Presley, Johnny Cash and Jerry Lee Lewis.

Documentary film about Saratov.

Academician Konovalov is one of the ten outstanding surgeons of the 20th century, who for many years headed the N. Burdenko Research Institute of Neurosurgery. The slightest careless movement of a neurosurgeon, imperceptible even under a microscope, can result in a loss of memory, speech, the ability to think or feel for the patient. That is why neurosurgery is recognized throughout the world as the most elite field of medicine, because the area of influence of a doctor is the most delicate, the human brain.

In 2007, the anonymous graffiti artist Banksy painted a series of political works around Palestine, only to have them cut down and sold off to the highest bidder. A stylish examination of public space and the commodification of street art, narrated by Iggy Pop.

The Man Who Fell From The Sky is a Channel 4 documentary. It tells the fascinating story of two men who stowed away on a flight from South Africa to the UK in 2012. But what was their story, and what happened to the two men? The documentary is billed as a ‘stranger than fiction’ story, that features two men who made the ‘most extreme journey’ ever taken by humans. South Africans Themba Cabeka and Carlito Vale made the trip clinging onto the undercarriage of the plane. Together, they made the 11-hour, 5,639-miles trip braving -60C temperatures. The incredible journey made news around the world.

The Man Who Saved Ben-Hur explores the filmmakers relationship with his 89-year old second cousin, Johnny Alarimo, at the end of his life. A charismatic loner, Johnny spent a dazzling career behind the scenes in show business without never forming any lasting relationships. Destine to die that way, the film is a subtle dance between a subject who wants to control his legacy, and a filmmaker/family-member who simply wants to know him.

An accused killer is granted a reprieve when his victim returns to town in the flesh after an eight-year absence.

Experience a cold world full of people whose heads have been replaced by a cage filled with a rubber balloon.

A film exploring the correlation between self and otherness and ancient layers of Japan's history, by following the footsteps of art and literary critic Hariu Ichirō as he walks around Gwangju, South Korea, and speaking in his home in Japan.

An obsessive food collector, determined not to desecrate his precious vittles, resorts to the alarming act of cannibalism.

As a child in Burkina Faso, Yacouba was sent away from home to study the Qur'an, where he and his classmates were almost starving. The young boys would trek across miles of wilderness, only to fall and beg at a straw hut for meagre rations. It is from this harsh background that the young farmer became determined to develop techniques that would bring exhausted soil back into production. His efforts have outdone the work of the world's leading scientists and technological advances costing millions of pounds. They may also yet prove crucial to the future of the world's rapidly growing population and global food demands.

It’s May, 1963. The Vietnam War is in full swing. Music and fashion is at it’s finest. And a man works on a poem for his girlfriend with the look of love in his eyes.

The Man Who Saw Too Much tells the story of 106-year-old Boris Pahor, believed to be the oldest known survivor of the Nazi concentration camps. He was sent to Dachau, Dora, Harzungen, Bergen-Belsen and Natzweiler – one of the Nazis' least known but most deadly camps. Twenty years after the war, Pahor wrote an extraordinary book about his experiences called Necropolis - City of the Dead. Pahor’s harrowing descriptions are illustrated with remarkable drawings by fellow prisoners, creating a unique record of conditions in the Nazi death camps. His testimony, along with details from a shocking report into the camp by British intelligence officer Captain Yurka Galitzine and the chilling testimony by SS commandant Josef Kramer, infamous as the Beast of Belsen, combine to tell an extraordinary story.

Young Jim Stanton is a conscientious surgeon, but spends too many off-duty hours pursuing his passion for aviation to suit his stuffy father. When it is discovered that a passenger killed in a plane that Jim crashes was a married woman, the resulting scandal prompts the hospital to put Jim on probation. His pride wounded, Jim takes to the open road and enjoys the simpler life of a vagabond. In Los Angeles--where he is arrested for vagrancy and put to work on a road crew--Jim runs into old pal Dick Miller, who gets him a job as a mechanic for Roberts Aviation. But maintaining his anonymity becomes more difficult, particularly when a pretty nurse, Doris King, decides to make Jim's redemption her personal crusade.

At the beginning of the Showa era, a man who was captivated by a girl he saw through a telescope locked her in a "painting". Visualization based on Rampo's "Oshie and Traveling Man". Released in 1994 to commemorate the 100th anniversary of Rampo's birth.

Frank Hurley's photos of Antarctic heroes, World Wars and mysterious natives in faraway jungles grabbed the attention of all who saw them. But just how real were they? Was he a giant in photography or just a conjurer with a camera?

Liu Na’ou’s The Man with a Movie Camera is comprised of five episodes, shot in four cities across national boundaries: Tainan, Canton, Shenyang, and Tokyo. It displays impressionistic street spectacle and images of quotidian life, as well as excursions by train and ship, unfolding as a private visual journal and a sort of souvenir, but with refined framing, camera movement, and rhythmic editing. With his own perspective and artistic sensitivity embedded in this film, struggling between being a Japanese colonial subject and a Taiwanese/Chinese litterateur, Liu attempts to transcend geological, national, racial/ethnic, linguistic and medial boundaries, to establish a depoliticized, internationalist, cosmopolitan cinematic utopia, a pure cinema, and a fluid and contested identity.

An interview with a prominent Arab architect and philosopher.