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Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.
We gain rare access inside the Jenin Battalion, a new Palestinian armed group that’s formed to fight back against Israeli military raids in the occupied West Bank. Fighter Abu Aseel, not his real name, takes us through Jenin and shows us how the brigade is training and preparing to defend the city for the next time the Israeli army enters. Like many young men in the impoverished refugee camp, Abu Aseel feels he was compelled to take up arms, driven by witnessing decades of violence and oppression against his community. Israel’s new far-right government has accompanied a surge in violence with near-daily military raids across the occupied West Bank.
A parole officer forced into retirement gets together three ex-convicts to pull off a $30-million armored car robbery.
Rosalba (Nicoletta Romanoff) is in love with Danilo (Filippo Nigro), a young man serving his sentence in prison. To help him cope with loneliness, she decides to write every day a sweet, passionate love letter. But as she is unable to express her feelings in words, she seeks help from her friend Katia (Capotini Christian), who lives confined to a wheelchair. These letters, in principle, should express the feelings of Rosalba, but finish reflecting those of Katia, who wins the heart of Danilo. The result is a love that will struggle to overcome any barrier.
Little Goat Productions’ documentary Funny Business is the first feature length, insider look at some of the best known cartoonists for the venerable New Yorker magazine. The film won a CINE Golden Eagle Award for excellence in filmmaking. It has been shown in venues throughout New York City, including the Metropolitan Museum of Art, and was broadcast on WNET, WLIW as well as a variety of PBS stations across the country.
We'll always have Paris. A decade after they captured the EuroLeague title in Paris, the stars of the dominant 2009-10 Regal FC Barcelona squad reunite for the latest film in the Euroleague Basketball Insider Documentary Series, We'll Always Have Paris. Widely considered to be one of the strongest EuroLeague teams in competition history, FC Barcelona lost just twice all season while playing crushing defense and eye-pleasing team-oriented offense to reach the Final Four and capture the club's second title.
Featuring real interviews and archive footage, this documentary gives an overview of Gaddafi's tyrannical reign over Libya from his early life until his death in 2011.
The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.
"René la Canne" was the second collaboration between Francis Girod and Ennio Morricone, coming after "Le Trio Infernal" (1974) and before "La Banquière" (1980). His film is an adaptation of a story by Roger Borniche about the gangster René Girier and relates the fantastic adventures of a flamboyant mobster (René/Gérard Depardieu) and a maverick police inspector (Fernand la Sournoise/Michel Piccoli), through the 1940s.
