The Fruit Of Evolution Before I Knew It My Life Had It Made

Cultural differences and racial boundaries collide in this powerful story of love between an Arabic Muslim man and an African-American Christian girl who strive to defy the odds. Facing disapproval from within their families and without, Shawn and Crystal must resolutely endure the hatred and bigotry that surrounds their romance in this Detroit-based drama of modern-day prejudice among minority groups.

The 17-year-old Amalia, the daughter of a widower lumberjack with many children, falls in love with a soldier. An irresponsible young man, the soldier refuses to admit that he is the father of the child to be born, as Amalia was just a fling in his eyes. Amalia decides to raise the kid all by herself, but she soon changes her mind…

Buah Dahsyat (Fantastic Fruits) is a short film capturing the veiled and coded lives of residents in Boon Lay, Singapore through enigmatic fruits acting as multifarious symbols for intersecting themes including everyday rituals, desire, social mobility and labour. Anchored by the voice of drag queen Luna Thicc, the fruits’ behaviour and habits become enmeshed with found footage, smartphone videos and kitsch popular culture imagery.

Two sisters live with their family. The elder is reserved; the younger lively. Yet, the former is first engaged and all goes well until the young man disappears

A woman is fired from her job because she's pregnant. The husband, who's a teacher, needs to get another part-time job as a waiter, to cover the expenses which causes problems at his school. He starts to resent children but there's hope as the husband is able to get another job and start to appreciate his family...

Lyon, 1953. Maria Manzana is the oldest of a family with five children and the only one who has a job. Maria's mother is deceased and her father is regularly drunk and violent. One evening when he wants to beat his daughter Christine, Mary helps her sister and accidentally she kills her father. At Maria's advice the family would prefer to flee. Anna, the girlfriend of Mary's brother Michael, accompanies them. Michael doesn't want to leave her behind. A friendly trucker brings Mary and her company to the south. The group then walks on deserted roads to a village, that was abandoned more than 25 years ago due to lack of water.

Sabine Gravières, married to Edouard, the High Commissioner for Criminal Youth, has a problem: Juliette, her daughter, is not only pregnant but she also refuses to marry Claude, the young man who got her pregnant. It is fair to say that the model set by Juliette's parents is far from ideal. Aware at last of the problem, Sabine decides to try and make it up with her husband.

Three high school student girls are on their spring break. They are expecting to get some sex of course. One becomes an adult magazine model. The second one nets a boyfriend. The third one is a little shy and needs helps from her friends. This last girl has fallen in love so her friends take her to his window and, by chance, arrive when mother is performing fellatio on son. The shy and pure third girl is in awe of a mother 'eating' genitalia and wants to give a similar performance.

Yngve invites his new girlfriend Embla to spend a week of summer holiday with his family at a nudist camp. Embla is not a nudist but keen to become a part of the family. Nevertheless tension rises between Embla and Yngves mother, as Embla feels pressured to adapt to the family costumes.

There is a woman named Gong Joo, which means ‘princess’ in Korean. Perhaps because of her parents’ unique philosophy, she believes herself to be a real princess who must find her way back to her palace one day. Nonetheless, she enjoys her life in Seoul. Gong Joo hides her royal identity to those around her, and has fun mingling with common people. When she is old enough, her dad tells her the truth, and Gong Joo feels very happy with the fact that she is one of the common people. She accepts that the whole time, she’s never left the lost palace. What matters to her is people’s love and tolerance.

A young girl, neglected by her parents, encounters an otherworldly entity and seeks solace in it.

A comedy set in an entertainment production company on the outskirts of the world. This is a place for men who aspire to be in the entertainment industry and have a chance to make their debut, even if it's just a production company. Waiting for them are some lewd men during a strange festival that has been passed down in Kurume, Kyushu.

I once had a vivid feeling, basking in the sunlight in a field listening to the murmuring of melting snow, that I was surrounded by sensations, sounds and sights. I wanted to express that feeling.

Old wounds are laid bare on Eli’s 23rd birthday when he pays a visit to his estranged father and is met with an awkward surprise celebration.

This movie is a journey through the director’s childhood. Fábio Silva uses the cinematic apparatus to take us on a trip to the past, to his past, towards the reasons behind his current estrangement from his father, calling on home videos as evidence of his account. A mysterious film in which the young filmmaker risks exposing his family privacy, full of betrayal and forgiveness. It is a privilege to watch a story told with such boldness, in which the boundaries between author, audience, and family trauma are barely distinguishable.

Cheng the fruit seller is in love with the daughter of his neighbor the doctor, but the good doctor won't let him marry her unless Chang finds him more patients...

The harvest of gooseberries, apples, pears, and cherries. The film includes shots of the fruit-picking – by men, women and children – as well as the transport and the auction. The images of the harvest are interspersed with idyllic pictures of flowers, grazing cows, and young women eating cherries.