The End Of The Pier

A new, feature-length documentary, filmed for the Special Edition Scream Factory Blu-Ray Release of George Romero's 1985 film, Day of the Dead A small group of scientists and soldiers have taken refuge in an underground missile silo where they struggle to control the flesh-eating horror that walks the earth above. But will the final battle for the future of the human race be fought among the living or have they forever unleashed the hunger of the dead? Lori Cardille (Tales from the Darkside), Joe Pilato (Night of the Living Dead: Origins 3D) and Richard Liberty (The Crazies) star in this controversial classic with groundbreaking gore effects by Tom Savini.”

A mockumentary, rockumentary featuring the spoof radio DJ's from Harry Enfield's sketch shows. Telling of their rise to fame, their influence on music history and fall from grace in a parody of real life radio presenters.

Sometimes it feels like we’re watching the world unravel before our very eyes, as if we’re in some bizarre carnival. And while it's tempting to just give up, there is another way. In End of the World, Jonathan Pageau offers a thoughtful framework to make sense of these confusing times, placing the chaos in historical context and providing a roadmap to lead us out of the clown world and restore order.

End of the Line is an anthology of three short films (The Brief Case of Maya Moon, The Red Widow, and The Extraordinary Experience of Dick Shatner), all of which take place on one reality defying steam train.

An inside view of Barack Obama's last days as the first African-American President, and the legacy he leaves behind.

After his mother´s death, Fabio refuses to lose her forever.

A cinematic impression of a landscape, depicting a corner of Poland enclosed by the forks of the Biebrza and Narew rivers, which, as they merge, create wide wetlands and marshes. The landscape of this natural enclave retained its pristine character at the time Anna Górny's film was being made. The author portrays a world untouched by 20th-century civilization, experiencing its last days before the reclamation works were set to begin.

A man purchases his dream house. He soon finds out it is not as dreamy as he expected.

A crime writer believes that a man imprisoned for committing the notorious "Flower Shop Murder" is innocent of the crime. He believes he knows who the actual culprit is, and sets out to befriend the man and get enough evidence to prove that he is the real killer.

Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.

After their trip to the parallel universe, the crew of the Enterprise must determine that in the normal universe nothing is like it was. The cybernetic lifeforms of the Red Empire are there and make war against all races to eliminate all biological life.

He is a murderer in his head and he is losing himself by actually killing people.

When looking for alternative energy sources, the Japanese scientist Sekai tragically dies. Twenty years later the Brazilian mathematician Euclides continues his research. The lack of an essential component won't allow a breakthrough. Only AUN, Sekai's son, seems to hold the key to protect mankind from self-destruction. In the aftermath of the nuclear tragedy in Fukushima the film appears like a prophecy. AUN's dream-like images, complemented by music from Christian Fennesz and Ryuichi Sakamoto, lead into a fantastic and exciting world, full of brightness and darkness of life.

In a film consisting entirely of fictitious found-footage, we discover how a young activist, Ulysse, provokes a nationwide cataclysm by stealing a micro-organism developed by a state laboratory: the "mycelium". This microorganism has the ability to degrade all metals and their components, and its spread would risk taking the whole of civilization back to the Stone Age.

Three young contestants sneak inside the home of complete strangers as part of a popular yet highly illegal game. The game requires the three players to stay within the home for eight hours without being discovered. If they succeed, each player stands to win a prize of ten thousand dollars. But this time, this is no ordinary home. Who will make it out at the end of eight?

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

The inhabitants of the village of Tichilesti in eastern Romania live far away from civilization, in the quiet among dogs and cats that roam the streets. However, this tranquillity portends death as Tichilesti was where lepers were sent years ago.