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An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Mexican feature film
Some people call him ‘white trash’ which makes me laugh, but I never really understood it. He had a white t-shirt that he got out of the trash once, I bet that’s what all the people were thinking about. He lives at the end of this road. He burnt all of his garbage until one day he burnt his hut down to the ground. Fire scares him more than anything now.
Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!
An opportunistic department store clerk gets involved with three women and attempts to manipulate them so he can move up the social ladder.
The making of 'The Truman Show'.
THE DROLL {Or, a Stage-Play about the END of Theatre} by Meg Miroshnik Meg Miroshnik wrote THE DROLL in 2011 having pondered the question, as the play’s preface notes, “What would it have been like to discover a passion for acting during the 18 years in which theatre was illegal in 17th-century Puritan England?” Her preface written nine years ago also posed the question: “What is it like to fall in love with theatre today in the face of anxieties about its future and future audiences?” Cast: Brett Dalton, Rachel Spencer Hewitt, Matt Biagini, Zach Appelman, Ceci Fernandez, Matt McGrath, Blake Segal, Elizabeth Stahlmann and Irene Sofia Lucio Stage Manager: Catherine Costanzo Dramaturg: Tanya Dean Director: Devin Brain
Utopia was a tower of hope, but it was a tower of despair created by human desires. In Utopia, they were researching the only way to save this world: a vaccine against the monster called Golem. One girl with special antibodies was used as research material. Her name is Mirai, the daughter of Hibiki Mamiya. Hibiki decides to rescue Mirai together with five men who have gathered in Utopia. The men are trying to rescue their loved ones, to save their family and friends, and to steal food and money to survive. Although each of them has their own non-negotiables and some rebellion, they gradually come to resonate with Hibiki's beliefs and decide to fight together.
hey, i made a whole movie while locked up a couple of years ago, i hope you like it.
A writer must solve a crime which is similar to the end of his next and yet unpublished novel, making him the prime suspect.
"The End of an Era" closes out the Pioneers of African-American Cinema set with additional thoughts from Jacqueline Najuma Stewart.
F.W. de Klerk was the last President of apartheid-era South Africa. In less than 4 years he went from being Mandela's jailor to his deputy president. Together they changed history for the better and may have prevented a civil war, yet little is known about de Klerk. Through his probing lens, Rossier explores the fascinating political journey and legacy of this complicated figure.
A Yasuzō Masumura film about a love affair starring Ayako Wakao. The literal title is The Two Who Got Wet.
A rare glimpse of early Japanese sound anime and prewar Japanese culture, The Roots of Japanese Anime features the masterworks of such pioneers of Japanese animation as Noburo Ofuji, Yasuji Murata, and Kenzo Masaoka, in addition to Mitsuyo Seo’s Momotaro’s Sea Eagle, the notorious war cartoon billed as Japan’s first feature anime. These movies represent the brilliance and variety of anime, ranging from beautiful Japanese paper animation to powerful multiplane cel cartoons. They also evoke the fascinating complexity of Japan, a nation that is then both marching towards war, enlisting kids in militarist nationalism, yet also delighting in a mixture of modern popular culture, ancient folk tales, irreverent comedy, and the everyday life of prewar Japanese children.
Leonard Cohen performance recorded in Madrid, Spain in 1988 as part of the European leg of a concert tour that took place in support of his I'm Your Man album released that same year.
The music video for R.E.M.'s "It's the End of the World As We Know It (And I Feel Fine)", showing a skateboarder rummaging through the junk in a half-collapsed abandoned farmhouse.
Horror TV-Special broadcast at the 12th April, 1992.
A gang of vicious outlaws lead by the crazed Black Burt Keller abduct Jessica Colby and decide to flee to Mexico. Shrewd bounty hunter Django and saintly roving gunslinger Sartana join forces to rescue the poor lass from the gang's vile clutches.
Final installment of the V-Cinema Kamen Rider Ex-Aid Trilogy: Another Ending will focus on the characters of Kuroto Dan (Kamen Rider Genm) and Kiriya Kujo (Kamen Rider Lazer). Genm has awoken! Kuroto Dan has obtained the God Maximum Mighty X and the world falls into the chaos that is Zombie Chronicle. Kiriya has found the key to face the power that not even Muteki can overcome and after receiving a certain message from Masamune, he faces Genm. What will become of these two and of the world?
Marc Maron wades through a swamp of vitamin hustlers, evangelicals and grown male nerd children, culminating in a gleefully filthy end-times fantasy.