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In the dead of night, Olya tries to find out: who is Sveta, whom her husband Kolya calls in his sleep? The search for Sveta will reveal many sore points in the shaky relationships of the young family, but the coming wise morning will put everything in its place.
Argo Okk's documentary looks at Estonia in 2008.
The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice, Oreo) during the course of three years. The film depicts drug-related crimes and diseases: prostitution, male prostitution, AIDS, and lethal overdoses.
A false prophet attempts to exploit news of the apocalypse to deceive people into becoming his followers, but many people simply dismiss him as insignificant.
John Davenport thought he had everything: a beautiful house, two adorable children and Diana, the perfect wife. But Diana hides a dark secret. Now the past is back to haunt them in the form of her violent ex-husband.
Yuki (acted by Asami Kai), a senior high school student, is the leader of FIGHTING EXPRESS. Fujioka, who used to be a mercenary, is now a member of FIGHTING EXPRESS. One day a woman called Rei (acted by Kana Tsugihara) shows up to tell them she wants to join them. Rei is assigned the first mission after she has completed the hard training to join a member of FIGHTING EXPRESS with Fujioka. In Rei's first mission, there is a big conspiracy to threaten the continued existence of all humankind! Will Rei and Fujioka save the world?
A documentation about Werner Herzog's motif to do movies.
Han Soo-Kyung (Cho Eun-Sook) receives a phone call that her husband (Lee Kwang-Ki) was involved in a car accident and is now in coma. Her husband told her that he was going away on a business trip to Chuncheon, but at the hospital she learns from his colleague that his business there was finished months ago. While filing insurance papers, Han Soo-Kyung learns that her husband registered a young boy Kim Cho-Rok (Jeon Jin-Seo) on their family register. Han Soo-Kyung goes through her husband's phone and contacts a woman from his recent caller list. They make plans to meet at a cafe in Chuncheon. There, Han Soo-Kyung meets the woman and young Kim Cho-Rok. The woman asks Han Soo-Kyung to take Kim Cho-Rok back with her.
Shot in early 2004 during the commemoration of the bicentennial of Haiti, this film offers a unique light on the last days to the presidency of Aristide, former priest of the poor became apprentice dictator. It is a reflection on the history of the first black republic in the world, a nation shared between the memory of its glorious revolution and the tragic litany of despots that have overwhelmed it since its independence.
The independent work accompanies the beginning of the artistic trajectory of Lyz Parayzo, a visual artist who, through his works and performances, puts into question the space of art in a non-binary body coming from the periphery. Lyz, has the body as the main work support and her daily performance as a research platform revealing the mismatch between what is said, what is done, discourse and practice. For the lack of authorization, for the intrusion, for the unwanted inclusion, questioning the free school that does not allow to be freed, the art gallery that does not include the non-salable, the institutional space that assimilates the transgression since it has already been incorporated by the system.
Hyun, a high school student, writes down his feelings for his friend Dong Ho in his diary. Then, Dong Ho sees the diary, and the two talk to confirm their feelings for each other. Can the ending for these two be a happy one?
Set in 1990s Europe, the story follows a young married couple, Gina and Duncan, on what Duncan claims is their honeymoon but after Gina suffers a mysterious accident, the story begins to toggle between past and present — and husband and wife — to uncover a portrait of love’s power and dangers. As the two hop borders across Europe, their former lives threaten to catch up with them while the truth grows more elusive.
An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.
"We understand this political climate has turned your world upside down," the 1950s TV-ad voice- over tells you. "Underground shelter is your best defense against radioactive fallout." Cue perky music, tap dancing twins, and a ballerina that bakes the perfect croissant. Welcome to your new luxury home - buried 26 feet below. Complete with mini-golf course, dance floor, swimming pool, two jacuzzis, and a thoroughly modern mermaid. "This is reality." That is, until the nuclear siren rings.
A man and woman meet when he pulls her out of an icy fountain that she has just jumped into. But their developing romance is marred by bad friends, money troubles and illegal sex work.
The story of two young men as they accidentally find themselves living together during the final 13 days before the world ends.
Art, an business student who lost his memory in an accident, wishes to go back to his hometown to recover his true identity. However, at the time of his accident, the government announces the impending end of the world and orders the evacuation of the population to bunkers. Golf is a medical student with a tumultuous family and relationship history, leaving him completely alone. He has never felt truly loved, and wants nothing more than a chance at that "true love" before he dies. He chooses to join Art in his search for himself.
As the chaos spreads, the two find themselves being hunted by a two men who have made it their mission to kill as many people as possible before their extinction. Through this, and the tribulations they go through, they forge a bond and are forced to navigate their feelings towards each other with what little time they have left.
The young Danish band 'The William Blakes' have made it into something of a dogma to record their albums in no time and under the dictate of certain, changing rules in a house in Bösebo in Sweden, 300 km from Copenhagen.
The beginning of the 21st century is marked by globalization and the uniformity of opinions, ideas, and visions. The village of Juršče, far removed from the broken and crazy world, yet so close, still preserves the memory of how their ancestors lived.
What would you do if you had 21 days left to live? What do you think you could do? This is a daring film, disturbingly honest, with a chilling melancholy to it, almost uncomfortable to view. Audacious, impulsive, and courageous, the filmmaker stands naked, laying it all out. Do we dare to look? Do you dare to listen when one addresses you so daringly?