Sur La Terre Des Géants

Antoine is a joyful but disenchanted photographer. His only true friend, Mateo, is 7 years old and the son of his neighbor, who is often absent. One day, he hears a piano sonata coming from the building across the courtyard. Mesmerized by the music, he becomes obsessed by Elena, the beautiful but mysterious pianist, and starts to photograph her at every opportunity. An intense relationship develops between fragile and idealistic Elena and Antoine, who is transformed by this encounter.

When her sister runs away from the Christian community where they've lived, Clara decides to set off to Montreal in search of her, and discovers the world, doubt, and price of freedom.

Just before the turn of the 21st century, Dramane, a Malian who lives in Paris, returns to his family's African village to visit his father. After biking around the town, Dramane realizes how different and stagnated his village is compared to the ever-changing modern world, especially at the dawn of a new millennium. While home, Dramane strikes up a friendship with beautiful villager Nana, with whom he contemplates the future. The film earned Sissako awards at the Fribourg International Film Festival, the Ouagadougou Panafrican Film and Television Festival and the San Francisco International Film Festival.

A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...

Coming to live with her uncle in the canton of Vaud after the death of her father, a pretty 17-year-old woman of mixed race turns men's heads.

The young Kiara lives with her mother Ariane. They both share a secret which has been buried for years. When Nathan, the son of Ariane's partner moves in, the secret comes to the surface.

In Corsica, during a summer stay, thirty-year-old Alice feels her connection to the territory and to the people who come from it. The two men she desires are the strong embodiments of her relationship to her land, the island of her childhood. But her physical and amorous relationships upset normality.

A farmer tries to save his wife from a paralyzing disease. He enlists the help of his neighbor, a scientist studying astronomy who refuses to help. But while the two men come into conflict, a mysterious spaceship lands in a nearby forest.

Jérôme Enrico talks about the career of his father, Robert, from the latter’s first short film, «An Occurrence at Owl Creek Bridge», awarded at the Cannes Film Festival and the Oscars, to his cinema successes, «The Wise Guys» or «The Old Gun».

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

Vertiginous masses of carved limestone give way to an ecstasy of light and living color through an alchemical spell of elemental transformation. Hierarchies dissolve as the transient quotidian inspires the monumental. Dans les Cieux et Sur la Terre was shot and hand-processed entirely on 16mm reversal films, with all of the composite images created in-camera.

A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".

This movie retraces one of the bloodiest episodes in the 'Events' in New Caledonia. On December 5th, 1984, in Waan Yaat in the Hienghène valley, kanak independence activists were the victims of an ambush. The Waan Yaat massacre leaves 10 dead and 5 seriously injured. The trap was laid by small landowners from the valley, who wanted to avoid being chased out of their property. The murderers confessed to the crime but were acquitted by the French justice system, who ruled their actions were 'preventative self-defence'. Almost 40 years on, the protagonists of this tragedy speak out for the first time.

An aerial journey from the deep south of the South Island to the northern tip of the North Island. We discover the landscapes and meet New Zealanders who talk about their work, interests and culture.