Space

Tom terrorizes Jerry and Spike around the neighborhood, wearing a jetpack, and the mouse and bulldog seem powerless to defend themselves against the flying feline. Jerry concocts a plot in which Spike launches the aviator mouse into the sky in a paper airplane and the chase is on!

The light through the window was recorded at time compressed to one hundred twentieth during the season when the altitude of the sun is the lowest. The light deeply went into architecture lighted up form of space and expression of the structure. I imagine the existence of the atmosphere and infinite course of the light through flickering variation. If time is defined as a motion of sunlight by Earth’s rotation, I can say that I’m observing “time” as well as space and light.

"Takes children on a tour of the nine planets of our solar system, explaining vital statistics about each ... This program is based on the concepts outlined in the 'National Science Education Content Standards' for earth science."

Recurring abstract and microscopic structures appear in this film that Padgett compiled from found footage for the exhibition Innocents Abroad—Made for Arolsen in Schloss Bad Arolsen. She used material culled from educational films produced during the ’60s and ’70s from the educational film archive at the University of Paderborn. Padgett worked with such source material as How Does the Wind Come to Be?, How to Lay a Table and Skin: Our Vulnerable Protective Barrier. Scenes of work on an assembly line or experiments in scientific labs reference a technical/scientific modernity. The film images reveal a historical dimension, while introducing layers of referential meaning and placing the film in relationship to our understanding of what we consider to be state of the art.

Anywhen In a Time Colored Space is a continuation of Philippe Parreno's Anywhen, filmed by renowned Iranian-French cinematographer Darius Khondji and featuring the voice of Nina Conti, actor, comedienne and ventriloquist. Performing the artist’s own writing integrated with fragments of James Joyce, the amalgamation of words read by Conti makes explicit Parreno’s interest in artificial, digital, and organic matter, and particularly how these forms of life communicate. The film is comprised of long sequences of a live cuttlefish (Sepia Oficinalis — a Mediterranean species of cephalopod) that can change the surface of its body—responding to outside forces such as light, sound and vibration, seemingly projecting the thoughts contained in the monologue. Much of the film focuses on the cuttlefish, which Parreno first kept in a tank in his studio.

Inspired by the diaristic cinema of Jonas Mekas, Malafaya organises the videos he’s been shooting for the past year and half of his life. A visual poem between the nostalgia of beauty and the hunt for images, between boredom and dancing

Sign Space follows the installation of an art exhibition. From the building of false walls up to the moment the exhibition opens its doors to the public, the film tracks the many considerations, both formal and procedural, that go into staging an art show.

Alien Agenda Planet Earth reveals the shocking truth about UFOs and Extraterrestrials, a truth that has been suppressed and hidden for centuries. In this definitive expose, see amazing UFO photos and footage and hear abductees share their riveting testimonies that lead to only one conclusion - we are not alone and the ruling elite have known for thousands of years. Mankind's most carefully guarded secret Exposed.

Left in a mysterious conference room, a young boy is forced to accept his fate from a mysterious being, while also reflecting upon the life he’s lived.

Our journey starts in Nairobi, one of the most vibrant metropolises of Africa. Your mission is to discover five creative spaces through the eyes of five unique collectives. You will choose your gender and the order in which you will be able to visit these spaces, and in each one of them, you will have to choose what to do and where to go next. You will end up in the biggest dumping site in Africa in search of human objects, in the gentrified Savannah in search of wildlife bones, escaping drones, running away from the data police or the religious fanatics, skating, drinking Jaba juice on top of a roof terrace, and if you make it, fly over a khat plantation, are you ready? Let’s go!

This collaborative work, created specifically for the 1992 Day Without Art/AIDS Awareness Day, addresses what Thornton terms "the relationship between the medicalization of the body and the personal." While the actor Ron Vawter reads aloud from a poem by Rilke, a doctor is heard discussing Vawter's medical condition. Medical photographs of internal organs and images of the moon's surface create landscapes of inner and outer space. This haunting rumination suggests the disparity between medical interpretations and personal experiences of physicality and mortality.

Put on your 3D glasses! From the Jeff Award-winning writers that brought you Murder for Two, a new musical comedy blasts off from the cult favorite ‘50s sci-fi film. When an astronomer encounters a spaceship in the desert, everyone just laughs—until some townspeople start acting very strange. Are the aliens here to conquer the Earth? Or... do they come in peace?

A science fictionalised exploration into dykiness; a queer movement and bodily abjection in regards to searching for modes of home and unhome-liness not based upon patrilineal spatialities of biological kinship.

Four members of the Perth LGBTIQ+ community explore and reflect upon their experiences in queer safe spaces and examine why they are important in society and to other LGBTIQ+ individuals.

In response to the deadly accident on Soviet spaceship "Soyuz-11," the Soviet government conducted top-secret experiments... on people. Healthy young males were subjected to unbearable tests and survived. Today, they share their remarkable story

A film made for, during and about Tom Sachs' 2007 exhibition 'Space Program' at Gagosian Beverly Hills. Also referred to as 'NASA' parts 1 and 2 during the film.

How has the Bible shaped our understanding of space? And, conversely, how has space exploration affected our understanding of the Bible? New interviews with scholars, historians, and astronauts shed light on the role of the Bible and religious faith in space exploration.

In an extraterrestrial land overrun by monsters, a space ranger dutifully eliminates the threats—but not without constant grousing about bureaucracy and his management.