Shadow Of The Elves Saison 1

Varjoja Radalla is a documentary film about surviving traumatic incidences. The film is following stories of train drivers who have all unwillingly be part of fatality caused by suicides and accidents. These fatalities are common in Finland and as often as once per week, at least one person gets killed by a locomotive. These incidences cause great deal of emotional pain and many drivers are suffering from PTSD. The film is showing how peer support and talking is helping these people to release their pain. The film is focused on one weekend in a countryside where group of train drivers are talking about their experiences and what has helped them to move on with their lives.

Every morning, eight-year-old Nadi wanders somewhere between the conscious and the unconscious, to meet her dream-etched Shadow Bird. A second character unfailingly follows—the mysterious Timekeeper, who has a clock fitted inside his heart. But one morning neither Shadow Bird nor Timekeeper arrive, and Nadi ventures alone into the deep, mysterious woods in search of them.

Ex-bandit Komakichi has a random encounter with an ex-ally, Matsuzou. Seeing each other for the first time in 35 years, the two drink and talk about their past, without revealing their current lifestyles, Matsuzou then recounts an odd story... The doomed reunion slowly steers the old bandits toward a life-changing event.

The child admires the fearless heroes, and he is terribly afraid of the dark. Suddenly, the lights were turned off in the house and shadow monsters crawled out of all the cracks. The boy hid, but heard a frightened kitten crying from another room. The boy will have to overcome his main fear, for the sake of saving a friend.

One street in southern Tel Aviv - doomed to be a home for refugees ever since it was planned - brings forth a mosaic of characters living in a hallucinatory reality of a cityscape that has its charms, but is not always kind and merciful.

In a society where the greatest concern is the size and power of one’s wings, nihilist Ciobeck tries to protect Moann. But how can one survive in a barren land populated by imprisoned-mind people?

The Shadows of A City deal with the problems and sufferings of urban life from the perspective of a child.

Albert is a distinguished art dealer living in New York City. One day by chance, he visits a photo exhibit titled "Bistrot de Paris" by Carol Labronsky. In an old photo of two young lovers kissing while seated at a Bistro, Albert recognizes his first love, Rose, the girl he fell madly in love with during his stay in Paris in 1959, and had disappeared after leaving him. In that photograph Rose is wearing a sweater which Albert gave her, proof that the photo was taken after she had met him. Tormented by memories, AIbert feels a burning need to find out whet became of her.

Opposite the imposing Andes stands Santiago de Chile, with its six million inhabitants, its clouds of pollution and its social housing high-rises stretching as far as the eye can see. During the lockdown, Felipe Elgueta and Ananké Pereira create a mosaic formed by moments from the daily life of immigrants living in cramped accommodation, the profile of a fragmented urban landscape.

The first love between two very different characters is the prism through which we are shown the point of view of the film-makers who denounce war and plead for simple human happiness.

Jean-Marie Straub’s new film closes the circle. The years 1954–2013 are displayed as representing a film produced in collaboration with Danièle Huillet. The two had met in Paris in 1954, around the year they came across the text by Georges Bernanos, to whom Straub has now dedicated a half-hour film. A man and a woman engaged in a dialogue, talking about their love, as if talking across an abyss. Then, in the last take, the two of them close together, motionless for a long time

A boy and his sister are nearly eaten by their father and they rush out of the house. They run away in their father’s car and wind up in the wilderness, where they meet a Giant and a Witch. This animation film in black & white charcoal drawings uses the sound of a bass guitar and combines a Japanese Manga feel with a fairy tale by the Brothers Grimm.

A drugsploitation film by the Hungarian director András Dér

The filmmaker finds, in some places and people in Mehrauli, a canvas of internal and external spaces. She explores the various elements of the physical and psychological that prevail in our society, elements that shape our fundamental ways of being.

Crime and Punishment set in Turkey. Bilal worked as a torturer for the military regime in the 1980s that murdered Selman's sons. Selman now has a gun on Bilal in a cave. Both men are trapped by their primitive instincts. The interplay of light and dark dissolves the boundary between perpetrator and victim.

The film explores the varying degrees, forms and issues of surveillance (the feeling of being policed) which are the heart of the relationship and conflict of a schizophrenia patient and caregiver, especially during the treatment phase.

In the 1990s, Huaichuan, a county in China. The police portrait expert Zhang Xin was ordered to draw the suspect. But he drew a woman who had been dead for more than ten years.

Artonis is an acrobat employed in the circus owned by Elvira Starke. Apparently he confines his acrobatics to the bedroom, because he's carrying on two separate affairs on the trot: one with his boss Elvira, and one with the circus's beautiful equestrienne Kitty Rallay. Someone shoots Artonis dead.