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A devoted fan, head over heels in love with the locally famous actress Samanalee Fonseka, asks a friend's help to make a video to convey his love and ask for her hand in marriage. After changing his day to day life drastically, the fan starts to behave somewhat odd.
A metaphorical tale. Rumour has it there is an old man living in a forest, alone but with a great fortune earned in Africa. Having overheard the gossips, two Roma boys decide to verify the story. One of them has a premonition that the trip may not end well.
An intimate play evolving around three main characters: an adult woman, her mother and her female lover. Two days in their lives occur in two opposing setting, everyday life in the demanding metropolis of Santiago and a sailboat trip cruising a beautiful bay. The three character remain trapped in a claustrophobic confrontation. The film dialogs with 'Knife in the water' from the side of women, an intense character drama with many involuntary humorous scenes. The eternal, never completed quest of seeing and recognizing the other as they are or, at least, as they want to be seen.
Seven years. Eight married couples. They are open and honest, reflecting on why they married each other in the first place, why they have lost the passion, and why they are tired of the other person's problems with the mother-in-law; they talk about sex, having children, and the fact that they can't stand each other any longer...
Kai is a left-behind child living in a remote village, wants to meeting his parents in the city during the summer holidays, but his plan is shattered when he learns that his mother is pregnant with a second child. After an extremely anxious and scorching day, Kai sleepwalks towards the river to play with water. His grandparents, who believe in superstition, use traditional methods to treat his sleepwalking. However, Kai continues to have vivid dreams of fire that trouble him.
In a village in West Africa where dreams play a key role, the hosts of local radio interpret the oniric visions of their listeners. The language of dreams is spoken here. The limits between the real and the fantastic blur, and time is suspended.
An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.
This time Lesha, Slava, Kamil and Sasha go to St. Petersburg. And three of the four do not even know why they go there. But at some point it becomes clear that it does not matter - why. It is important that they go.
Wolf, born into a deaf family, embraces sign language with confidence despite obstacles in life; Sophie, having received a cochlear implant at a young age, continuously strives to be seen as "normal" despite having a "deaf accent." Alan, with a cochlear implant like Sophie, is capable of both spoken language and sign language; he advocates for diverse modes of communication within the deaf community. Bound by love and friendship, the three embark on a self-discovering journey that is not without its moments of pain.
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After a break in their relationship, Fredrik and Caroline meet up for the first time in a café to discuss their future. A discussion that will forever change their lives.
Two fishermen living in a fishing village on the east coast had a son, Yeon-soo, and a daughter, Jung-soon, and they were in love with each other.
At 30, Adam's wondering about the meaning of his life and realises that he's always been dissatisfied by his choices. Today, he decides to break up with Fred, his girlfriend for a year a half, and sends her a message saying "We need to talk". —TV5 Monde
The film tells the story of a bitter, hard life of laborers in Ukraine during the second half of the XIX century.
After hitting a dog with his car, Stefan, guilt-ridden, decides to bring it with him to the hometown lake, where he is headed in order to complete the film about his mother who has recently passed away.
A poetical quotation puts a damper on high expectations of earthly life. Because human beings were not sent to earth but cast out to it. Disappointments are to be expected. In “I Still Talk to You,” Turkan Huseyn illustrates a conversation with her friend. It is about love and the longing to return to the past, about childhood and its no longer existing coordinates in time and space. A melancholy dialogue broken up by brief encounters: stranded looking people who also explain their views of and experiences with love. Meanwhile, the fish in the Caspian Sea are coated in a thin layer of oil that merely needs to be wiped off. It used to be less dirty here, Turkan Huseyn says. When you are a child, everything seems less dirty, her friend replies. A laconic zooming back and forth between inside and outside, in the centre of which a few buckets of blood-red flowers bloom anyway.
Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.
Ali learns that Derya is a "comfortable" girl and invites Derya to the house by taking advantage of the absence of his family. I’m Not Talking About That, bears witness to a day of these two teenagers trying to build relationships in the height of adolescence.