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A country boy and his girlfriend, an old man in the paddy field, young students and traditional rice. A busy teacher and his ignorant student, an old father who is more worthless than a old wood house, a father and his little son, a mess in a new house, a man who looking for his wife, and many touched stories and characters happened in the village, Wang Pi Kul.
In Cenas de Família, Persici records both playful personal moments and everyday happenings throughout the municipality of Castelo. The filmmaker tours around the state of Espírito Santo by car and train overjoyed with the registration possibilities of his camera. Today, Cenas de Família, which is the only surviving film of Persici, is considered to be one of the most important historical documents of early Brazilian cinema.
The girl Nina spends time in her parents ' house in preparation for the wedding of her younger sister. Somewhat unexpectedly for her, her husband Nikita arrives there, with whom they are experiencing a crisis of family relations. In order not to overshadow the holiday, Nina and Nikita try to pretend that everything is fine between them. How will this forced joint "vacation" end? Will they succeed in breaking down the wall between them, or will it become even higher?
A group of people, blindfolded and fed distorted German dialogue through headphones, sit at a table and feel their way towards the food in the centre.
Jin-hong dreams of being a great actress but for the moment has to be content with running the auditions. She lands a small call girl role that requires her to shoot naked.
The film is adapted from a play by Cyrille Offermans Lichtenberg, scenes at the dawn of a new era". Although the protagonist shares some features with the experimental physicist and writer George Christoph Lichtenberg (1742-1799), who wrote the famous Sudelbücher and numerous letters, the film does not pretend any historical accuracy with respect to the real Lichtenberg, but focuses on Offermans' hybrid [partial fictitious] personage. The result is not an interplay between fact and fiction, but a sort of view of Lichtenberg, mouthing some 19th- and 20th- century authors he couldn't have known, strictly speaking, but whose alleged fantastic formulations seem to follow from his own writings in a natural way.
A young married woman Jelena finds about her husband's car accident from an unknown stranger named Vlatko, but also that he wants to be visited by his mistress rather than her. The encounter with her father, an ex-politician, will be another shock, but that's when she accepts Vlatko's courtship without being able to see his self-interested nature.
Every day Mirza spends with women. Every day he has to re-visit them and make them all happy. Today, he says goodbye to everybody.
The final scene brings us back to the first year of the start of the Syrian revolution, through the story of activist Orwa Al Mokdad, who documented through his lens the first year of the revolution. After Orwa leaves Syria for Lebanon, he presents all the materials he recorded to his brother Eyas, the filmmaker residing in Belgium, to complete the film project he was working on, which is to show the peaceful face of the Syrian revolution. Eyas begins searching in these materials for that face to discover another face of his brother and his young companions who risked their lives to bring the revolution into action. Defeat and betrayal are part of the story of the movement against which the world allied itself, as the regime managed to distort it and turn that beautiful face into a violent one.
A sad breakup between a sound staff called boom operator and an actress who were secretly in love.
An archival constellation from the still and moving images of the British Petroleum Archives, documenting the expansive colonial network behind the British geophysical expeditions that spanned across Iran in the early 20th century.
A structuralist slow-burn investigation thriller. In a high-class neighbourhood in Rio De Janeiro a young woman is murdered. Detectives are contacted but the killer continues around.
A personal and sexual diary. A fake user’s manual whose sophistication and audaciousness free it from the traps of what has to be said and the agenda of commonplace. A discourse with disconcert and without instructions, with an exploring spirit and without restrictions.
The top porno film director in Thailand is down on his luck. His staff is desperate for a new job. He owes money everywhere. He decides it's time to make a new film but this one will be a mainstream movie. He has to find investment for the project so he goes around to all the major film producers in Bangkok until he comes up with one who will back it. However, he has one very tough condition and that is that he must produce ten porno films of the same standard as before first. Reluctantly he agrees and his entire team heads off to the jungle to make the first one. Once there they get captured by some bandits the Army is in hot pursuit of. They are caught in the crossfire and when the Army finally rescues them they don't believe that they are making a movie.
Behind The Scenes produced in Sept 2021, It is a drama, social , romantic film. Dr Mona hard working University teacher, Mr. Rashid compete and envy Dr Mona on her super activities, There is a romantic relationship between two students Ahmad and Rana, Haifa likes Ahmad and envy Rana, Dr Mona will initiates a competition for her students, she struggle for the rights and the truth, There will be unexpected conspiracy at the end, The film send humanity messages through poems and lectures by students.
A documentary filmed during the shooting of Os Maias - (Alguns) episódios da vida romântica, the cinematic adaptation directed by João Botelho of the homonymous novel by Eça de Queirós. Following the cast in and out of scenes of the period film In-Between Scenes takes on its role as an extension to the history of the Maias family, exposing the lies of cinema, moving in between reality and fiction.
This is, for 1906, a strikingly ambitious prototype-documentary travelogue filmed in and around the cities now called Kolkata and Mumbai. It's full of precious, occasionally startling images, from an extended 'phantom ride' down busy Calcutta streets to thronging port life, street trading, even the cremation of a human body and the ritual decapitation of lambs on a Bombay street – a scene some viewers may find upsetting. This is a French production but, like many of the 'exotic' travel films so popular in early cinema, it travelled widely itself – hence this version, with English language intertitles.
Sea. Road. One day from life of men and women. One year ago after losing child, they have been unable to understand the depth of this pain. Trying to find solace in each other, they realize that they do not know each other ...
Starring Kazuo Ohno, an inspirational figure in Butoh dance.
The story of an indigenous Ese’eja child facing the death of his grandfather. During the two days that separate the two traditional funerals the child decides to go for the first time to the city, to chase his grandfather dream and set his spirit free.