Questions For The Fu

Miguel steals a trick from a magic book and becomes a world-renowned magician. However, the idea of ​​the public discovering that this great trick is plagiarized from a book eats at his mind more and more.

Direct and meticulous observation of interpersonal relations is a classic subject in documentary films. In this film the title of which alludes to “Hamlet”, we will observe the birth of compassion in people. Compassion is something that has to be dealt with in very rigorous terms, something that needs to be stripped of the layers of clichés that this word has amassed over the years. Is it always a true feeling or just an imitation? How does a deep compassion spring forth? Who are the true “masters of compassion” and what are they like?

The heroine of the film Karagoz Alimbayeva comes from the village, where she worked as a zoo technician for five years, to the city to enter the veterinary institute. Having brilliantly passed the profile subjects, Karagoz gets a three on the last physics exam and, having failed to get one point, must return to the village.

Understanding mankind's true origin is essential in determining one's final destiny. This visually rich, full production presents conclusive evidence that the universe and all life were created. In addition, scientific foreknowledge found only in the Bible reveals that the God of the Bible is the Creator. A Question of Origins is essential viewing for anyone who has questions or doubts concerning the scientific accuracy of the Word of God. A great witnessing tool intended for our current generation.

Leo is a lonely old man. His wife and only son died long ago. He lives a recluse in a quiet, decaying house on a plot of tall grass. But once the peace in the house of Leva is disturbed by the arrival of his old friend ...

This film almost literally visualize three short stories on which it is based. The difficulty was to assign real spaces in the film for the world of short stories that does not require material reality. The question of ”What is love?” is stretched into three periods: the 70s, the 80s and the 90s. The story which is divided into three periods is trying to reveal the story of the main characters through three different periods of their lives.

Real-life palm reader Josef Ranald helps people two determine their futures. Some sources claim this British film was never released, or even finished, until 1956 when American Ron Ormond acquired it and added a brief sequence about a girl hitchhiker and a psycho motorist, releasing it finally as The Eternal Question.

Mamdouh carries on with his womanizing ways after his marriage. His brother Fathy suffers from the constant preoccupation of his wife Nawal with her work. Mamdouh takes Fathy to a brothel, to take his mind off his problems, but Nawal discovers her husband's infidelity.

Two perfect strangers. A blind date. An urban legend.

A drama of manners, spiced by light moments, describing the "love stories" of a mother and her daughter. The two women spend a summer together. Madeline, the mother, a professional, independent woman, begins a romantic relationship with an engineer after ending a previous relation. For her part, Renée, her 20-year old daughter, tries to see her father again and dreams of stable love.

The violent mother left a long-term psychological shadow on the girl, and even after her mother passed away, she couldn't let go for a long time. One day, she finally unexpectedly found a way out for reconciliation. This film is Wen Qi's directorial debut, who won the Golden Horse Award for Best Female supporting role for "Blood Avalokitesvara". She, together with post-90s director Zheng Ziyi, borrows Qu Yuan's "Tianwen" to raise girls' painful questions about their original family and growth experience. In the film, the repeated appearance of mirrors and water extends the camera space, and scenes from different time and space interweave with the imagery of water, revealing a mother daughter relationship of love and hate.

A group of supervised orphan girls walking through the streets of Amsterdam. Shot on 68mm Mutoscope-Biograph.

Assembling cinematic sequences shot in the Southeastern Urals and in Macedonia, archival footage and animation, Eurasia (Questions on Happiness) sets forth on a journey towards the Eurasian steppe where it meets the New Silk Road. Imagining a fractured continent in the thrall of self-learning data sites that trigger world events, the film confronts various forms of hoax, from cut and paste political doctrines to neo-classical facade architectures. Mapping ideological and political currents that are presently unraveling the European Union, Eurasia describes fake news as a man-made proxy of the indifference that an artificial intelligence may feel toward the human condition. Through modes of science fiction, documentary, and folk tale, Eurasia creates an immersion within layers of media production, wrapping facts in fictions, and fictions in facts.

The cast of a popular kid's show based on offering answers must figure out why young viewers mysteriously no longer have anything to ask them.

In France, a near and probable future. The Sisterhood of Metacontrol governs Europe. Angeline, an exemplary and irreproachable citizen has just joined the order... But her relationship with a special man, Nono, will make her question profoundly the principles of the Doctrine.

Jie (Michiko Kuwano) attended a women's university with the financial support of her geisha sister Oha (Hiroko Kawasaki) and became a lawyer. The aim. Michiko (Kuniko Miyake), one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.

Sex therapists Inge and Sten Hegel discuss some of the letters they have received from people around the world and features actors portraying a few of the acts described therein.

Two young people are forced to spend three days together...

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.

Questioning similarities and differences and cinematically seeking an impossible closeness - As an imagined dialogue between the filmmaker and his late father Ulrich Mühe, this film becomes an attempt to find answers to those questions that were not asked during his lifetime. A prologue and five chapters were assembled from found footage, in which accusation and attempted explanation, appeasement and reinforcement clash and oscillate between fiction and reality.