Pyramid

The Twelve Dreams Of The Sun was a concert held by musician Jean Michel Jarre on the Pyramids of Giza, Egypt starting on December 31, 1999 and carrying overnight to January 1, 2000. It was attended by 120,000 people. The concert consisted of two parts, the Main Concert and a Sunrise Concert. The concert cost approximately $9,500,000 and it originated when Jean-Michel Jarre was contacted by the Egyptian president Hosni Mubarak with a special project to celebrate the dawn of the new Millennium at the foot of the only remaining monument of the original 7 Wonders of the World - the Great Pyramids. Jarre's team had developed giant projections to be displayed on the faces of the Great Pyramids, however a heavy cloud of fog made the pyramids almost invisible, so most of the projections were discarded. Parts of the concert were broadcast live on TV stations around the world.

We all know what a pyramid looks like, but did you know there are more pyramids in Mexico than Egypt? They can be found all over the world and there are startling similarities between them, but why did ancient civilisations build pyramids? Join Discovery as we go in search of the answers behind the ancient world's greatest wonders. Find out why these mammoth structures were first built, discover their original purpose and learn about the geniuses who designed them. Hear the story of Imhotep the Egyptian Royal Architect and engineer of the world s first pyramid who is now worshipped as a God, and step inside the pyramids that acted as tombs of kings, while others were places of unspeakable horror.

Past and present collide in this powerful documentary featuring the findings of the National Geographic Expedition team and their robots as they explore these Egyptian wonders. You'll see an ancient sarcophagus unsealed, an exploration of nooks and crannies of a pyramid conducted by a camera-equipped robot, and much more.

The inside story of Australia’s fiercest mountain race and the courage it takes to conquer the peak. For 60 years, only the brave have beaten the Pyramid where not everyone walks off the mountain unbroken.

These scientists' motto is simple: just because a mystery is 4,500 years old doesn't mean it can't be solved. Their mission: to see through the Great Pyramid of Giza and determine, without moving or destroying a single stone, if there are hidden chambers and passages inside. What will they find?

Two contestants are paired with celebrities in this remake of the word-association game show.

Mysterious stone spheres, a pyramid with an EM Beam, and tunnels with healing energy fascinate. Search for the Holy Spirit, strange phenomena, spiritual awakening, healing, and meeting the Virgin Mary brings spiritual people from all over the globe to Bosnia and Herzegovina. At the Apparition Hill in Medjugorje, pilgrims find new connections to God and strengthen their faith, some find healing.

An ABC television feature about the making of three major ride attractions for the Luxor Las Vegas hotel. They were opened in 1993 and created by Douglas Trumbull. Simultaneously a portrait about Trumbull’s career as a pioneering ride film developer.

Will an Artificial Intelligence ever be capable of creating a genuine, original work of art? Some would argue that, while AI systems have become exponentially better at imitating all human forms of expression, creating art requires a soul. But what is that soul? Is it really in the work of art? Or is it in the meaning that we as viewers automatically ascribe to it?

Pyramid Schemes is a treatise on architecture in eleven chapters. Lawrence Lek offers a sweeping journey through the evolution of architecture—spaces that reflect and inscribe power structures—by interfusing scenes from the video game Assassin’s Creed with other simulated environments. The first-person perspective of a role-playing game assert the agency of the video’s wandering protagonist, and reflect how virtual spaces reflect real-world issues of migration, access, and the privilege of being able to go different places. In the words of the artist, “the simplest form of freedom is the freedom of mobility.” As print has evaporated into hypertext and cathedrals have grown into skyscrapers, the narrator implores: “To progress we must create a space that can shelter the collective, not just reflect it. Architecture must not simply express novelty, it must absorb difference. Difference in culture, difference in technology, difference in language, difference in dreams.”

Wheelchair user Angel joins an eco-commune in search of a more meaningful existence, though bumping into an old flame means she gets more than she bargained for on her quest for inner peace.