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Following the breakdown of his marriage, a self-involved man begins to embrace fatherhood.
Somewhere between Montmartre and Saint-Germain-des-Prés, Jean-Jacques Sempé and René Goscinny lean over a large white sheet of paper and bring to life a mischievous and endearing boy, Little Nicolas. From schoolyard games and fights to summer camp pranks and camaraderie, Nicolas lives a merry and enriching childhood – and brings friendship and newfound life to his creators, too.
In this film that sends up the foibles of filmmaking, a standard crew of actors, stage-hands, director, writers, producers, and others are gathered for the filming of a 45-second automobile commercial. Each role embodies an archetype (the harried director who has a deadline to meet, the Scrooge production manager who has a budget to meet, and the writers who are above these mundane concerns), and these personalities drive the working actors over the edge until they decide to lock them up and do their own thing -- happiness can be just around the corner if you are in the driver's seat. Hopefully, the actors will be able to bow out before the police catch on to the situation.
Gérard d'Ormoise, a young millionaire tired of the easy loves that his income earned him, takes the place of a friendly bartender. He marries the young and pretty duchess who first believed him to be an honest bartender, then a vulgar burglar.
After witnessing and accidentally helping several thugs get away with a heist, the women rooming together notice through their telescope that the stolen loot is in the apartment right across the street. They plan their own burglary of the already stolen loot.
Vincent is involved in the making of a video game called Soulkeeper in which he plays the main character, a knight that came back from the dead. For his first day on the set, he's being followed by a TV crew.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
This is a piece of dramatic fiction resting on a subtle balance between social realism and highly stylized theatrical directing. In her first film, Emily Barbelin depicts the lived experience of a bunch of sex workers in a microcosm ruled by male desires that form the pattern of their nights. These men are barely seen, for in fact they are fleeting figures, either sleeping or caught in violent frenzies. In a voice-over, a woman calls out to some faraway mother, as a wintertime landscape is passing by from the window of a train, echoing the words.
Originally a French softcore film, the only version currently available is the Italian Hardcore release (released as Letti bagnati).
Unlike his earlier films "Can Dialectics Break Bricks?" and "The Girls of Kamare", which "detourned" drama films, in this one, Viénet uses a great variety of sources (particularly archive footage of People's Republic of China leaders) to compose a political documentary sharply critical of Mao's legacy in China. The title is a reference to the pamphlet "Français, encore un effort si vous voulez être républicains" featured in "Philosophy in the Bedroom" of Marquis de Sade.
