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In January 2013, a fire at Boate Kiss killed 242 people in Santa Maria. Luciane, who is the sister of one of the victims, reflects on the impacts and the learning that the tragedy brought for herself and the city.
Two down-on-their-luck tire repairmen fix a tire for a lady having a very bad day.
After years of increases in the greenhouse effect, havoc is wreaked globally in the form of catastrophic hurricanes, tornadoes, tidal waves, floods and the beginning of a new Ice Age. Paleoclimatologist Jack Hall tries to warn the world while also shepherding to safety his son, trapped in New York after the city is overwhelmed by the start of the new big freeze.
The Day After Tomorrow is a 1975 British science-fiction television drama produced by Gerry Anderson between the two series of Space: 1999. Written by Johnny Byrne and directed by Charles Crichton, it stars Brian Blessed, Joanna Dunham and Nick Tate, and is narrated by Ed Bishop. It first aired in the United States on NBC, as an episode of the children's science education series Special Treat, in December 1975. In the UK, BBC1 broadcast the programme as an independent special in December 1976, and again in December 1977. The plot of The Day After Tomorrow relates to the interstellar mission of Altares, a science vessel of the future that can travel at the speed of light. Departing from its original destination, Alpha Centauri, Altares moves deeper into space and her crew of three adults and two children encounter phenomena such as a meteor shower, a red giant star and, finally, a black hole, which pulls the ship into another universe.
Originally commissioned to produce a child-friendly introduction to Albert Einstein's special relativity theory in the form of an action-adventure, Anderson and Byrne conceived The Day After Tomorrow as the pilot episode of a TV series. To this end, writer and producer proposed the alternative title "Into Infinity", although their limited budget precluded the production of further episodes. With a cast and crew that included veterans of earlier Anderson productions, filming on The Day After Tomorrow ran from July to September 1975 and consisted of ten days of principal photography and six weeks of special effects shooting. The visuals of Space: 1999 influenced both special effects technician Martin Bower, the designer of the scale models that appear in the programme, and production designer Reg Hill, who re-used set elements from various episodes of Space: 1999 to construct the Altares interiors. Newcomer Derek Wadsworth collaborated with Steve Coe to compose the theme and incidental music.
Nothing is as it seems in this hilarious murder mystery where each suspect's story is told through a different film genre.
It is 2020. Findings by environmental scientist Professor Thom Archer suggest that Halo, the corporate energy company drilling on the Greenland Glacier are causing it to melt. Archer's warnings are ignored, so he heads to the Arctic to find indisputable evidence. Upon arrival, he realizes humankind is under immediate threat, and races home to save his family. The glacier collapses, with devastating consequences. Astonishing weather patterns emerge and plunge the world's temperatures into steep decline.
This fantasy drama follows an indie band singer who repeatedly undergoes unwanted time slips and the girlfriend he must save from an unlucky fate.
The world has been reduced to rubble by a massive earthquake. While no one knows for sure how far the ruins stretch, or what the cause of the earthquake may be, in the heart of Seoul there is only one apartment building left standing. It is called Hwang Gung Apartments. As time passes, outsiders start coming in to Hwang Gung Apartments trying to escape the extreme cold. Before long, the apartment residents are unable to cope with the increasing numbers. Feeling a threat to their very survival, the residents enact a special measure.
After being twenty years in in jail, Johnny now a free man, must confront a heartless society and ensure that the son he never knew does not go down the same criminal path that he once took.
On her first day at work, Areum replaces a woman who broke up with the boss. The wife of the boss finds a love note, bursts into the office, and mistakes Areum for the other woman.
Yoram, a 50-year-old veterinarian living in Tel-Aviv, is forced to re-examine his relationship with his adolescent daughter Roni, after she wishes to end her life. He decides to take her on a journey to visit her mother’s family, a process of self and mutual discovery in a primordial desert land enveloping the Dead Sea.