Now And Then

Glimpses of Now is a visual and auditory exploration of the cities and people of Saudi Arabia. Mohammad Alfaraj shot the video in a documentary format using a video camera and mobile phone. This is an ongoing project, and the artist has been gathering footage for the film since 2015.

Warren Miller is back with our 72nd annual film "Winter Starts Now," featuring the best snowriding from the mom and pop ski hill down the street to the highest peak on the horizon. Join us for a road trip through the Rocky Mountains, experience classic New England skiing, and hitch a ride up the coast of Alaska. Along the way, we'll be joined by old friends like Marcus Caston, Amie Engerbretson, and Jim Ryan. We're speed riding with JT Holmes and hitting the moguls with Jonny Moseley. We'll meet rising stars Madison Rose and Paralympic snowboarder Noah Elliott, and follow along as Vasu Sojitra and Pete McAfee complete the first-ever disabled ski descent of Denali. Buckle up for an adventure, because Winter Starts Now.

Under-appreciated by his wife, a charismatic music producer forces his wife, his teenage daughter and his lover to live together as a family, under one roof.

Baba Koichi (49) is the head of the design department at a construction company and has just transferred to Tokyo from Kagoshima. He has little regard for his family and constantly quarrels with his wife and daughter. At work, he acts selfishly and is viewed with contempt by those around him. One day, Koichi is diagnosed with Parkinson's disease, but he cannot accept it and is left alone. On the recommendation of his doctor, Koichi starts attending PD SMILE, a rehabilitation facility for Parkinson's disease. However, being an introvert, Koichi struggles to communicate with his peers at the facility

And now what do I do

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

Daniel O'Neil is a promising writer who has to work hard when Dora, his rich girlfriend, breaks up with him. Expelled from the hotel where he lives in Copacabana, Daniel moves into the small apartment of Meg, his best friend. He puts them both in danger when he gets a ride with a drug dealer who ends up being chased by the police and asks Daniel to keep two packages of cocaine.

After an unexpected encounter with a group of women attempting to take to the streets, Patricia begins an intimate yet collective journey to understand the violence she has experienced. Amidst the resurgence of feminist protests, she journeys through her own history and that of her mother, as well as the women she fights alongside of, to discover that in a violent world, creating modes of self-defense and preserving joy can be revolutionary.

“A future historian, if he or she is honest, will feel a legitimate need to place the decade 1968 to 1978 alongside the great events that changed the world, such as the French and Russian Revolutions”. This was the guiding idea to which we entrusted, with considerable emotion, our personal memory and the archive footage that we took and collected during those years and which represent the physical body of the battles fought and victories gained everywhere during those ten years. Their value, in a country like Italy which has lost its memory, is a rare witness to the power of human dignity in a constant struggle for its redemption.

A man who works at a book shop and writes for a film magazine meets the woman who photocopies his ID; as well as another man, an illustrator. They get together with a man who works as a waiter and produces independent cinema.

The film consists of four young men at the end of their 20s. Joo-dae, who is preparing to study abroad in Germany, hopes to see his three other friends before his departure. However, Seong-woo seems unreachable. One spring day, having gathered at Kyeong-hwan's for lunch, Joo-dae suggests paying a visit to Seong-woo's place, but the other two disagree. The entangled times from their hasty lives are full of anxiety. Where are they headed to?

Swan leads a quiet, simple life. When he meets the crazy cat Tony, his world is turned upside down.

The documentary, black and white, has "space" as theme, both as an abstract category and as a scope and "scene" of human relations.

This Christmas comedy tells a story of how on Christmas Eve, a beautiful wife goes from prosperous restaurateur Michel. Trying to immediately restore the lost happiness, he gets into a vortex of tragicomic love triangle.

Following on from the short film 'The buildings will take off and leave us behind' (2022), the director imagines what happened to the buildings after they took off from earth.

In the short film "Sharunas Bartas: where am I now" director looks for an answer to the question retrospectively and with a perspective towards the future. Reflections on meaning of life and cinema blends in as do autoportrait and portrait genres. In laconic manner director Sharunas Bartas gives quintesense of his thoughts and ideas, more importantly, his feelings and experiences. The film was initiated by Pompidou Art Centre, which recently organized Retrospective of Sharunas Bartas.

A story about a brave Soviet spy working behind the enemy lines during WWII.

Raoul Ruiz shot this film on March 28th, 1971, during the big peasant march in Temuco, Chile, when the bill that gave the full citizenship and civil rights to the Mapuche Indio people was approved. Raoul Ruiz listens to their painful stories.