No That S Me Over Here

It's 1989 in East Berlin: Suzie is kicked out of school shortly before she graduates from high school and has to defend herself as a worker in the cable factory. However, a randomly taken photo leads her to the fashion world of the GDR. The editor-in-chief Elsa Wilbrodt put her on the cover of Sibylle, the fashion magazine of the GDR. In the Berlin underground scene she made the acquaintance of the gay fashion designer Rudi and the photographer Coyote. Suzie must decide if she's brave enough to leave the old strands behind forever.

Matthew Scott Montgomery interviews people in the film industry in a car.

The story of love, trust and betrayal through the eyes of a desperate guy who can no longer hide.

Felipe’s life revolves around his family and two buddies. He wants to do better in life. He wants to lose weight. He wants to face up to his fears. Unfortunately, Felipe cannot get over the obstacles life has put in his path. By accident, he meets Jill Idleberry. She is an old high school classmate. They get reacquainted in the most unlikely circumstance. From that chance reunion, Felipe decides to turn his life around – inside him, he says, “I’m Not Like That No More.”

No – That's Me Over Here! was a British sitcom that aired for three series from 1967 to 1970. It was created by Barry Cryer, Graham Chapman and Eric Idle, and it featured Ronnie Corbett's first acting starring role, alongside Rosemary Leach, Henry McGee, Ivor Dean and Jill Mai Meredith. It was originally made by Associated-Rediffusion for the ITV network, with its production being continued by London Weekend Television for the third and final series.

An early work by the Co-op, this hard-hitting short unpicks the links between a casually misogynist culture and the lived reality of women experiencing domestic abuse.

Trying to catch a purse snatcher, the Inspector sets up a sting operation by disguising himself as a woman and soon falls afoul of the Commissioner's jealous wife.

The film follows the lives of those who immigrate to the city, leaving their families behind. Ahmet and his friends came to the city with great expectations, but soon confront the difficulties of adjusting to life there. After days of job hunting, they finally find employment in the harbor.

Out-of-work, Tim steals a sandwich, then knocks out the policeman who chases him. He changes into the policeman's uniform, and is approached by a wife who needs help with her drunken husband.

Tells the story of the Confederacy's last great invasion of the north, in July 1864, and the subsequent attack on Washington, D.C. that almost brought the northern war effort to its knees. Follows the campaign from Richmond to Petersburg, then to battles at Lynchburg and General Jubal Early's fight down the Shenandoah Valley - defeating two Union Armies in the process. The Confederates crossing the Potomac River into Maryland, and the ransoming of Frederick and Hagerstown; The pivotal Battle of Monocacy (July 9, 1864), and the desperate defense by Union General Lew Wallace. Finally, the Confederates reaching the gates of Washington, and missing their chance to capture the Union Capitol by minutes. Tells the story of the battle and the campaign through the eyes of the men who fought and died on the farms of Western Maryland. —LionHeart FilmWorks

When art critic Eleanor is selected to judge a prestigious art portrait competition, she is horrified to be told by her ex-boyfriend that he has entered a presumably contemptuous portrait of her, sending her on a witch-hunt to figure out which painting is his and stop it from winning.

Two sisters, who are very different from one another, share a common family secret. Their relationship is tested when a past trauma surfaces. They will do whatever it takes to keep their connection strong and solid.

The film is based on a real story. Climbers found the purse of a military postman killed during World War II, letters sent 30 years later.

Part of BFI's "National Coal Board Collection".

A yakuza war of the clan Kawahara

Based on the Norwegian fairytale.

Comedy about a group of chemistry students who organize a cheating scam during their final exams. Amuro Namie, the top pop music sensation, plays one of the students.

Holding in her mind Dorothea Tanning’s painting Some Roses and their Phantoms (1952) and its sickening presentation of objects as between states of being, Wardill made a film that also hovers between definitions. The architecture of the Gulbenkian auditorium in Lisbon, its colors and sense of being lost in time accompany us through a loop where a man wanders the building at night, followed by something that is not human. Through the care and paranoia with which she approaches the digital image, the artist investigates the past’s haunting of the present and the remnants of textures longing to be touched. Wardill’s work takes an interest in the appropriation of models to express ideas and the way in which fixed scenarios become exemplary. She explores the opacity of communication to deconstruct the way in which materials or the implication of the material are used to elucidate ideas.

A farmer sells his land to go to Seoul and become a rickshaw driver.