Mirada De Mujer El Regreso Saison 1, Streaming avec sous-titres en Français, mirada de mujer || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced.
This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs.
Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.
Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.
Moira Millán is a Mapuche woman who lives in Argentina and had to migrate from Patagonia to Buenos Aires with her daughters. After a while, she decides to return to the recovered Mapuche territory where the remains of her mother are buried, a land she knows she has to preserve, but her daughters don't want to live in the countryside. With questions about how to maintain the original identity in today's Argentina, Moira Millán embarks on a journey in which she visits women from other indigenous villages with whom she shares the way each one has to preserve ancestral culture through education, health, and music.
Faces, bodies and actions are juxtaposed endlessly. Fragmented pieces of the woman come together and form the volume of what has been her image in the history of cinema; one marked by the domination and exploitation of her body. A short film homage to Laura Mulvey and her contributions to feminist film theory.
