Madeline

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.

Working in their garage, indie entrepreneurs Madeline and Owen discover the secret of time travel. There's only one hitch: a bug in the code creates a new copy of Madeline at the same time every day.

Madeline Gins, a public and private partner of Shusaku Arakawa. Although her name has always been sought as a co-producer of Shusaku Arakawa's works, starting with "The Mechanism of Meaning" and ending with architectural works and writings, her image was shrouded in mystery. By visiting Madeline Gins in New York and interviewing Shusaku Arakawa's atelier and bioscleave house, this video depicts another important aspect of the Arakawa project that could not be drawn in "Children Who Won’t Die, ARAKAWA".

Described as a contemporary psychological thriller. Further details TBA.

A policeman and his wife's relationship unravels over the course of one tense night, forcing them to reassess their love.

The girls get a chance to perform with a famed ballet master who thinks Madeline is too small to succeed. Madeline's insecurity (and Pepito's teasing) keeps getting in the way of her performance until she is given a pep talk – and a pair of toe shoes – by an accomplished prima ballerina, who convinces Madeline that hard work and courage will help her excel.

Madeline attempts to stop the theft of the Mona Lisa in the Louvre, but no one believes her; so, she is sent to a finishing school in London. But now the thieves are also in London, and they will try to rob the Crown Jewels! Would Madeline be able to stop them?

When Madeline's long lost uncle Horst arrives to take her to a Viennese finishing school, Miss Clavel, the eleven little girls and Pepito realize that something is not right.

Madeline and the girls take an ocean liner to Tahiti, where they learn to surf, snorkel and take part in native dances, while foiling a villain's evil plan to reactivate the Tahiti-nui volcano so he can loot the capitol of the island when the city is evacuated. But Madeline's enjoyment is dampened by a falling-out with her best friend, Pepito, and she discovers that a good friendship is worth more than the best vacation in the world.