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Editorial, poetic and kind, Stella’s aim for the film is that the queer community sees it and immediately knows that “this was made with love, not with the usual ‘once a year rainbow’ vibe”. At its core, the film makes space for multiplicity: “As a queer director myself, I really wanted to strike the balance between telling true queer stories, which are sometimes sad and sometimes happy.” The intergenerational cast was asked to write a letter to their younger/older self. A selection of quotes acts as the collective voice of the film.
As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.
A group of people are imprisoned in a rail car bound from Berlin to a concentration camp in 1945.
The true condition of the human being is to think with their hands.
A young woman, Yoriko, who has repeatedly attempted suicide since the disappearance of her beloved brother, runs barefoot through heaven and hell, dreams and reality.
A hired labourer, Joseph, works on a farm inhabited by Monique, a war widow, and Jeanne, her captivating daughter who longs to escape to the big city.
A rich man runs his cabaret and falls in love with one of the dancers who work for him. When the two young men, Ismail and Amin, ask to work for him, he refuses, so they deceive him by claiming that they work for a love insurance company. He asks them to stay until he marries the dancer he loves.
God's two daughters Cherry and Lemon have been tasked with finding the lost treasure of Heaven, referred to as Love. Together with their guardian Berry, their search takes them to a planet where stuffed animals have come to life, putting them in direct conflict with Cecilian and the nefarious Treasure Connection.
