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A record seller, and not very serious, Henry spends his nights in a cabaret where there is a Slavic prince in exile. His resemblance to the Prince of Palestria makes him designated to replace the young man who prefers to stay in Paris. And Henry takes with him the one he loves.
The musical was written by Richard Cocciante in co-authority with Elisabeth Anais on the famous book by Antoine de Saint-Exupery. This book of amazing humanity, written by the French author, is translated into 200 languages and dialects all over the world and is being sold annually in quantities of 1 million copies. The premiere of the musical was held in Paris in October 1, 2002. Ambitious project was carried out by the first-class artistic team, expects their performance to be able to win no less glory than the famous «Notre Dame de Paris». The pilot was played by Daniel Lavoie (Daniel was playing this role since October 2002 until April 2003 at the Casino de Paris). For the role of Little Prince producers invited 13-year-old debutant from Lyon
Whilst seeking out locations in the South of France for his next film, director Luc Moullet comes across a male corpse. He immediately decides to use this to his advantage. By swapping his passport with that of the dead man, Moullet hopes that the world will believe he is dead, thereby ensuring a renewed interest in his work. Unfortunately, the scheme backfires, since the dead man was someone rather important...
Two men meet in a park: Haldern has on a black balaclava, while Ablou is wearing white underpants. The film is based on choreography by Daniel Larrieu, who was invited to "play with the story board" of Alfred Jarry's book "Haldernablou", with illustrations by Tom de Pékin.
The plot follows a noblewoman who, convicted of treason for political reasons, is sentenced to life imprisonment on Devil’s Island, a notorious penal colony for women near French Guyana.
Igor Stravinsky's 'The Rite of Spring' choreographed by Uwe Scholz and performed by the Leipzig ballet.
Documentary directed by Gahité Fofana.
Writes Ken Jacobs: "Louis-Aimé-Augustin Le Prince was the first person to create, in 1885, a single recording apparatus that photographed images in quick succession on George Eastman's new paper roll film. Le Prince applied for patents but the fix was in, leaving Edison and the Lumière Brothers to profit from his invention. He vanished under mysterious circumstances in 1890. Well, that's business, but I'm sure personal malice was not involved. In 1888 he made a number of short recordings. Here we see Leeds Bridge on a day like any other, its foot and carriage traffic as portentous or as casual as the crisscrossings of the stars. Looped, we Tom Tom some of its infinity of captured gesture."
Experimental short by Zheng Bo.
"It all started with a flea market and "Les rêveries du promeneur solitaire". A night storm and the cat Vadinho did the rest, leading me on the first walk."
In the midst of the Algerian liberation war, two characters, a meddah (traditional storyteller) and a guerrab (water distributor), having become aware of their subhuman condition in their own country, join the National Liberation Army (ALN) to fight against inhumane colonialism. They will climb the ranks to become political commissioners before falling on the field of honor, the first in a skirmish and the other in Barberousse prison (Serkadji) where he will be guillotined.
In April and May 1991, Djibril Diop Mambéty shot his second—and final—feature, Hyenas, a free, lyrical adaptation of Friedrich Dürrenmatt’s play The Visit, which he had been dreaming of bringing to life for years. Rather than taking the making-of approach, Ninki Nanka, The Prince of Colobane used the filming of Mambéty’s movie, which he wrote, directed, and acted in, as a pretext to examine his character. Following him throughout the shoot and also paying visits to his family and childhood friends, Laurence Gavron set off on a quest to find the real Djibril—actor, author, filmmaker, brilliant poet, rogue and clairvoyant, charmer with a big heart—in order to expose the different facets of this generous, creative, and fiercely committed vagabond spirit.
A young man is thinking about his dead lover. The Atlas Mountains landscape and the muezzin chants give rhythm to this parable of vanished desire.
Two enthusiasts of genealogy bring together as many descendants of Moise Blin as they can. Moise Blin was an 18th century Alsatian Jewish peddler. This gathering reveals the chronicles of one family, from before the French Revolution to present day: an exemplary history of the Jews, from persecution to assimilation.