Journey Of

A documentary about the making of Jim Jarmusch's 1999 film GHOST DOG: THE WAY OF THE SAMURAI, including interviews with the director and stars Forest Whitaker and RZA.

Studio Ghibli animated the famous Chōjū-Jinbutsu-Giga Emaki ("Scrolls of Cartoons of Birds, Animals, and People" or "Chōjū Giga" for short) for a third and final Marubeni Power commercial. In the third installment, titled "The Journey Continues," the rabbit runs away from the frog in tears as it begins to rain, only for the frog to return to the rabbit, with a lily pad umbrella in tow.

A cinematic journey through the world. Non-verbal.

The ninth princess of the Southern Kingdom, Hong Dou, grew up smart and mature, read the art of war and strategy, and hid her talent to avoid the front line. Later, she came to the throne by thunderous means and crowned herself the Empress. On the night of her ascension to the throne, Hong Dou traveled to modern times and met the star, Ye Nanchen. Ye Nanchen and Hong Dou tried all kinds of ways to help Hong Dou cross back to her world. When Hong Dou returned she began to vigorously reorganize the country, but did not know that Ye Nanchen also followed the crossing over, and became Hong Dou's "male favorite." Thus, the happy couple began to play the court version of the battle of wits.

Once upon a time a little girl went out to find the Christmas Star.

David Livingstone was born in Blantyre, just outside Glasgow in Scotland. Brought up in a Christian home, he put his trust in Christ as his Saviour at the age of sixteen. He began to pray for and give towards missionary work but soon realised God wanted him to go himself. Having trained as a missionary doctor, he was eventually accepted by the London Missionary Society for work in Africa. He left England for Cape Town in December 1840 and there began what must be one of the greatest pioneering missionary works of modern times. For over 32 years, David preached the Gospel, attended the sick and explored a vast area, seeking new routes whereby future missionaries could reach the Africans with the Gospel. In 1873 David died and his body was carried for 1000 miles to Zanzibar from where it was brought to England. His remains are buried in Westminster Abbey in London.

As the strict classical disciplines of the eighteenth century began to fade, two very different movements came to prominence: from Constable and Turner influenced by nature, through to the stirring works of Goya and Gericault. This episode explores the genius of works such as The Third of May and The Haywain.

Following the development of non-secular art in the seventeenth century, the world of art in the eighteenth century assumed a more decorative role with a greater emphasis on pastoral themes. This episode features the work of Watteau, Boucher, Hogarth, Gainsborough and Reynolds.

Determined to carve out a better future for herself, teenage Gouri leaves behind a life of prostitution that was forced upon her at a young age and takes a job as a caregiver for a mistrusting elderly widow. But just as she starts to find her footing in this new life, Gouri’s past rears its ugly head again. Skillful direction and understated performances shine in this nuanced exploration of the challenges and triumphs of starting over.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

In a long forgotten Samoa, a group of young men are sent into the deepest part of the forest to fulfill their destinies and emerge as Warriors.

Hong Kong is an international financial center where its property market is the most expensive in the world. Hong Kong people work hard all their life just to be able to pay for their house mortgage. Dream is a luxury in this city. Rachel and Ronald struggle between dream and reality. As time goes by, will they swim with the stream or forgo what they have and follow their dream...

The Journey is the story of a father and daughter reunion. From Montreal’s airport, they will travel along a chaotic path, where their inability to find each other will unveil a complicated relationship and have them drift from their initial course.

Based on the musical piece "Reise" with narration. A couple have an argument and a reconciliation, through ballet. The visual style imitates an impressionist painting.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

"Sa kabila ng mga pinagdaanan mo, paano mo piniling magpatuloy? Let us witness the journey of Kaloy, a multifaceted Taga-West gearing his way towards success."

This is a Filipino omnibus film about three different journeys.

GABRIEL (50) has terminal cancer and has six months to live. He decides to travel to his grandparents’ town to wait for death and here he meets GLADYS (17), whom the town believes to be miraculous. Between them begin a relationship determined by desire and disease.

A lonely figure floats across a deserted universe on a rudderless vehicle. Suddenly, a partner in misfortune appears in the distance. An ultrashort animation about our deep desire to experience this in spite of everything.

A filmmaker and an actress travel towards a remote location, in search of a particular house, and of inspiration for their next movie. The region is Douro, and the house belonged to Manoel de Oliveira, where he took refuge to create many of his works.