In The Night Garden Saison 1 Épisode 52

A couple has twins, but disagreements arise between them, making it impossible for them to continue their married life. They separate with an agreement that each of them will take care of one of their children. The child, whose name is Abdul Hamid, is raised by the husband and grows up to be virtuous and have good morals, unlike his brother Abdul Aziz, who is raised in a bad way by his mother. They come together to love the same girl.

Yoko Mizutani, a nurse at Kikumisaka Hospital, a general hospital, is frightened by a series of bizarre incidents that occur at the hospital. One night, a boy in the psychiatric department goes missing, and when the nurses on duty search the hospital, they find him standing in the mortuary holding a skull. The police investigate the skull and find that it is the skull of the former deputy director, who had gone missing with his mistress. The mistress of the former deputy director was Etsuko Mizutani, Yoko's older sister...

Pablo and Lucía, bound by a shared past, enter their first months of theater studies with high hopes—only for a single night to unravel everything. At a party, Lucía disappears from Pablo's life, leaving him grappling with her absence amidst friends, family, and the echoes of their dreams. As he drifts through memories and familiar places, Pablo begins to understand that Lucía saw the world with a unique insight, challenging him to rebuild his own path in the face of loss and rediscovery.

40-year-old Philippe, who works in a demolition company, visits his two children. He picks them up from his ex-wife’s house. But Philippe is hiding something from his children, he is not reacting as usual – tonight, his children will not go to sleep at home.

A young wife and mother rediscovers her long forgotten passion when she is granted the ability to live without sleep.

It's a film in several chapters, like several breaths coming throught distant times. Close and secret figures speak or retain their words. Disjointed spaces try to be linked by one emotion, the strength of the living and the absent. The emotion that allows us to dream of a past full of future and a future strengthened by the past.

The video, titled "Mravi marksisti marljivo marširaju (Puževi pažljivo prelaze put nightcore Lenin remix)," humorously blends a slow-burn, arthouse approach with playful, "conceptual art" vibes. It features ants, likened to Marxist workers, marching with diligence—an ironic commentary on collective labor, set against a nightcore remix backdrop. The remix and slow, intentional pacing turn the mundane journey of ants into a symbolic crawl, invoking grand themes of struggle, endurance, and… possibly nonsense.

Nawal is a singer in a traveling band. She admires Dr. Medhat and tries to win his admiration, but she is afraid of rejection due to the nature of her work. She is forced to pretend to him that she is a teacher, but with time he discovers her real profession, which pushes him even more to cling to her and marry her. Their relationship is put to a real test when a friend of hers is accused of a murder of which he is innocent.

Cherry is 6-year-old girl. She lives with her parents on their large property. Her mother schools her and teaches her music and painting. Cherry is fascinated by the birds she sees from her large terrace but doesn’t realise that her father overprotecting her prevents her from spreading her wings. But on the day she turns seven, she receives a pair of binoculars that allow her to… See further. That is how she discovers Flower, the gardener’s daughter, who walks about freely, yet who is the same age as her. Flower talks about a bird that Cherry had never seen before, the nightingale. From that moment on, Cherry has only one thing in mind: go and meet it.

It is an ordinary day for Raouf, who spends his day racing against time and trying to resolve his differences with his fiancée, Nadia, while meditation, memories, and nostalgia are scattered throughout the day.

Pink film distributed by Million.

Star Troupe's stage play.

Munawaroh, a village midwife, secretly cares for Mira, a former prostitute shunned by the community. As Mira’s pregnancy progresses, she becomes increasingly anxious about her safety. One evening, Mira collapses at a women-only village gathering, where Munawaroh pretends not to know her to protect her standing among the conservative women. However, when the situation becomes life-threatening, Munawaroh faces a moral dilemma: help Mira deliver her baby in front of the villagers or preserve her reputation.

A virus spreads across the world, transforming all humankind into wild, slavering, furry beasts: cats, to be precise. Those few survivors who remain human take refuge in the dark corners of the earth as they fight back against the feline horde. Kunagi, a man with no memory of his past yet a deep knowledge of cats, struggles to hold on with only his wits and a will to survive. Yet the virus transmits merely through cuddles, and Kunagi finds kitties so hard to resist! Is his willpower strong enough to withstand this hair-raising cat-tastrophe?

One day, fate brings together three women in one place, each of whom has experienced domestic violence from men to a greater or lesser extent. The girls decide to take revenge on their abusers. First, they decide to do it with the help of the law. They understand that it will take a lot of time and effort to carry out this venture, so they choose another path. In their opinion, the life of each of them was spoiled by a man, so they intend to destroy their usual way of life. But it turns out to be not so easy to implement this plan.

In a dramatic context, a young man accuses his sister (Fatima) of insanity and sends a group from a mental hospital to arrest her, taking advantage of his political position, Fatima tries to throw herself from the top of the building and tells people how she raised her brother and sacrificed for him and refused to marry, as the work shows her participation in the resistance in Port Said against aggression.