I Can See You, Streaming avec sous-titres en Français, can see || Regardez tout le film sans limitation, diffusez en streaming en qualité.
A game of football turns deadly as an uninvited player joins in.
Experimental Short by Ronald V Bijleveld
Blind climber Erik Weihenmayer and his team's highly successful ascent of Mount Everest along with four other remarkable milestones on the mountain. Time magazine called this the most successful Everest expedition of all time.
A woman recounts her story of the mass exodus of Palestinians from Jerusalem, beginning with the arrival and ending with the departure. The tale moves backwards in time and through various landscapes but the events are not being undone and the story has not been untold. Farther Than The Eye Can See is the tracing of a decaying experience told through words of a place that no longer exists.
Set in the aftermath of a large-scale disaster, a small group of people remain behind in search of lost sons and new worlds. Two lovers, River and Lill, fend for the future of their bond whilst mysterious entities stalk the countryside, hungry for humanity’s lifeforce.
A nightmare in reverie: five young queer people are admitted into a clinic to undergo conversion therapy. Enduring several different and harrowing methods to change their sexual orientation and/or gender identity, the sterile space of abject trauma struggles to suppress the abundance and beauty of queer love. Striking images burst through like a new Un chant d'amour (1975).
In Can You See Me?, I portray the ghostly presence of an Iranian woman amid Montreal’s streets, symbolizing invisibility and detachment in a new cultural landscape. This performance, conducted in February 2023, six months after my move to Montreal, aims to understand perception and belonging in a foreign environment. It provokes thought on human perception’s selective nature and invisible barriers shaping cultural assimilation.
A film of non-Euclidean and symbolically authentic adventures
As Far As Our Eyes Can See is an interpretation of Jonas Mekas’ idea of diary filmmaking through deeply personal expression made plural. Five people record whatever their attention was drawn to without any further instructions, expectations, or limitations, for 24 hours across the span of a week. The camera becomes an extension of five sets of eyes, recording the personal shared act of perception.
Jack Ridge is a former piano prodigy living on a farm he has let go to seed. He's living in the past, but the future is coming for him.
A video sketch at Hayama's bed, situated in Bangkok.
Mona, Kristina and Peter have gone for a hike in the forest to relax from everyday life, when they suddenly hear strange sounds that lead them deeper into the forest. There, far away from civilization, they encounters something unexpected.
A high school girl in Shenzhen helps her father to work as a truck driver at the Hong Kong border. One day, she becomes friend with a vietnamese migrant.
In Jerusalem, between the west bank and the east bank, lies a promenade which serves as a border line between the Jewish neighborhoods and the Palestinian ones. To the wanderers on both sides, the view posed along its length is a view of the conflict (from the separation wall, through the Palestinian neighborhoods and reaching the Temple Mount). Turning back to the landscape, and observing the Israeli people overlooking it, the film turns the promenade into a "canvas" on which the Israelis celebrate its confused identity - between the day-to-day and the national holidays, between the flowers and the memorial monuments.
A riveting polyphonic documentary, Now He's Out in Public and Everyone Can See presents a fractured narrative about an unnamed man whose racial identity is continually redrawn and contested by clusters of impassioned narrators. This intricately-edited and deeply political essay film by artist Natalie Bookchin is composed of fragments of found online video diaries made in the early days of the Obama era, a period many believed would be 'post-racial' but instead ushered in a new era of racial discord.
Sometimes people are merely passengers, but the mark they leave affects every future timeline.
Beautiful emptiness, anguish and calm. Absence rendered visible and traces of presence in winter light.
24 hr fake news of visceral simulation. Everything now exists in a heightened state of simulation, from TV news broadcasts to internal human bodies, nothing is real, everything is constructed.
In 2004 Picture This and South West Screen commissioned 'I Can See My Way Home' with Spacex Gallery, Exeter, as the second project in the 'Historic Sites' series. The work was originally a two-screen installation produced in response to two historic houses in Devon, Killerton House, a thriving National Trust homes, and Poltimore House, a ruin falling into a state of dilapidation. The caretaker and conservation expert emerges at Killerton, opening the closed shutters of the house, while a torch beam explores the devastated interior of Poltimore. This 11-minute extract is focused on the material Curran filmed inside of Poltimore House with an accompanying soundtrack.
From the lush and green grass of the Kazakh Steppe to the glorifying architecture of its capital, from its giant open-air mines to the traces of invisible nuclear power, Kazakhstan is here captured in fragments. A fake observational film, but a genuine geographical and historical journey, through the remnants of the Soviet past and the contemporary capitalist ambitions of the country.