Hitler And The Reichstag Fire Saison 1 Épisode 1, Streaming avec sous-titres en Français, hitler and the || Regardez tout le film sans limitation, diffusez en streaming en qualité.
A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.
The person Adolf Hitler shaped the 20th century like no other. This series documents the Hitler's life using unpublished material.
As World War II ends, U.S. Army officer Saul Pandover talks with scores of Germans to understand the cultural mind-set that supported the Third Reich.
June 1941, Hitler attacks the USSR: he wants to conquer this "Living space" which he dreams of for his Reich. It comes up against enemy realities: the vastness of the territory, the polar cold and the determination of a people with inexhaustible human resources. How far will Hitler take Germany?
In 1963, 22-year-old Bertrand Blier invited 11 of his peers to come to a film studio and talk about their lives. The record of what was said is a discussion of values that remains relevant and fascinating today. The footage was shot just five years prior to May 1968, and the atmosphere of that time is clearly discernible: these young people may not yet be revolutionaries, but there is clearly a ferment in the air.
Trace the history of Hitler's armored private train, a 15-car mobile headquarters boasting state-of-the-art communications and anti-aircraft cannons.
After the defeat of France by Nazi Germany on June 23, 1940, Adolf Hitler makes a sudden trip to Paris. Despite hating the French people, he finds the capital surprisingly fascinating.
Miguel Castañeda, a mexican scientist, tells the story of his stolen glory in his past as a migrant in the US, as well as all the obstacles he faces in his quest for justice upon his return to Mexico.
This film captures the affair, full of love, lust, and despair, between Adolf Hitler and Eva Braun, from 1932 until their double suicide in 1945.
Paranoia, guilt, misery, and technology in the developing country. A fragmented narrative, distorted frames, shouts, and noises. The Nazis take over São Paulo: prison and torture of revolutionaries, a samurai lost in chaos, locked lovers, a dictator and his bunch. Considered one of the most influential films of the marginal period.
Adolf Hitler the fighting man is the subject of this engrossing feature, chronicling the future dictator’s combat experience as a foot soldier in World War I. Excerpts from Hitler’s letters from the front, recollections of regimental comrades, and evaluations by his officers offer a revealing portrait of a brooding, fearless loner who preferred battlefields to brothels, frontline service to home leave, and kept the men he frequently risked his life to protect at arm’s length. In a world of death, hardship, and discipline, Hitler sought comfort in the companionship of his English terrier, and in sketches and watercolors he rendered during lulls. It speculates on the influence wartime service exercised on his personal and political development, filling a critical gap for any sincere appraisal of Hitler’s psyche, motives, and subsequent actions.
Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)
“Cuando el Hitler aparece, todos corren. Cuando el Hitler habla, todos se quedan callados. Unos dicen que es brujo, otros dicen que es un hijo del diablo y otros de plano no dicen nada. Lo que sí es cierto es que es el más pesado de los que han pasado por ahí. Y las hijas…esas son las peores. Y son capaces de todo por conseguir lo que ellas quieren, ya ni se diga por defender a su padre.”
In Third Reich, the abuse of drugs made commanders and soldiers feel invincible. The Führer himself took them on daily basis. This is the unbelievable story of the D-IX project and of methamphetamines, which, abundantly furnished to soldiers, changed the course of history.
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.
Hitler is alive. Words are unnecessary ...
A rare insight into the military career and personal life of Germany's most famous Second World War commander, Field Marshal Erwin Rommel. Told from the perspective of his son Manfred, it tells what happens when a career soldier runs afoul of a dictator. Highly decorated and one of Hitler's favourite commanders in the early years of World War II, the 'Desert Fox' was something of an enigma. Never a member of the Nazi party, Rommel detested the blending of politics and war. He would quickly discover that both were always in play in Hitler's Germany. Greg Kinnear narrates.
As a 25-year-old legal trainee Sebastian Haffner experienced the assumption of power of Hitler in Berlin in 1933. He became a witness of a dramatic upheaval which changed also his life fundamentally. His best friend had to emigrate hastily, the love to a young Jewish woman broke up. Haffner himself could avoid the whirlpool from terror and seduction less and less. His life became a dangerous tightrope walk between adaptation and refusal. He emigrated to England in 1938. Decades after the war he was one of the most famous journalists of the Bonn republic.