Here

A humorous observation about the memories of a beach retracing all those who have touched its sand.

Depending on perspective, perhaps the end of the world is already here.

A hacienda seem to be haunted by La Llondra, the crying woman.

A private detective uses his skills to make a friend. This was made for My Rode Reel 2020.

This offbeat documentary follows actor, writer and political activist Donal O’Kelly as he takes to the road with his new play Vive La. Initial enthusiasm wanes as the show receives lacklustre reviews, and, with no budget for publicity, audiences are poor. As he heads home, somewhat bruised, he turns to camera to reflect with humour on his life’s journey and to mull over the purpose of art in society before bouncing back some months later with his dreams reignited and a European tour on the horizon. This intimate portrait is infused with the warmth of the relationship between the observer and the observed.

STILL HERE is a short film that depicts Omar's journey from trauma toward healing. It is inspired by the clients and work of the Center for Victims of Torture (CVT) – which aims to eradicate and heal the wounds of torture globally.

Sam, a 17-year-old German-Ghanaian, and his mother, Rita, are finally able to welcome two long-awaited visitors from their home country; but the joy of reunion is clouded by the unresolved residence status of Gifty and her son, Kwesi. Sam is thus confronted with questions about his origins and identity, and also begins to fall in love with Kwesi.

The catastrophe is tirelessly repeated in Hollywood cinema. The genre of the disaster movie hints at the collective psyche of the respective historical epochs. The perspective of a postmodern longing for moments of spectacular destruction, which briefly interrupts the dull monotony in late capitalist consumerism, shows how contradictory postmodern pop culture is. The disaster movie is symptomatic for the longing to overturn the status quo as well as the opposite desire to find it instantly restored.

A man searching for a new truth.

A lonely man living in a big city of the future, orders an female android, because he don't, want to to be alone on his birthday. He does not know yet that this meeting will force him to rethink his life.

Starting Here, Starting Now is a thrilling and touching musical using the songs of Richard Maltby, Jr., and David Shire (Big, Baby, Closer Than Ever). Starting Here, Starting Now offers a tender-tough inventory of love and the lonesome lack thereof. Made for each other, the wry lyrics of Richard Maltby, Jr., combined with David Shire‘s buoyant music, forge a fast-moving, ingratiating look at how love can go right, wrong or nowhere. This bold, extroverted journey takes a winsome cast of four through the maze of modern relationships with its heart firmly on its sleeve. As with all of Maltby and Shire’s work, each song is an impeccably crafted story – original, engaging, and bursting with character.

Do you want to be in a documentary? A bunch of Englishmen have turned up at the casting for a film that turns out to be the one we are sitting and watching. A mixed gallery of characters, who paradoxically are hoping to be cast in the roles of themselves. 'I was Here' is a social experiment with brains, a heart and underplayed humour. The many attendees are as diverse as people are in the real world. Young and old, funny and bitter, self-confident and nervous - what are they hoping to find by taking part in a film? The obvious answer is the simplest one: themselves. We look on from the other side of the camera, as they take part in the experiment. The contradiction between authenticity and performance is not just a question of identity. It is also one of the basic conflicts of modern documentary filmmaking, which Ola Jankowska and Nathalie Bianchieri turn into both a premise and a method.

“I have very little memory of my parents’ relationship; only pictures and the interactions between my dad and the things of my mom’s he’s kept. The image of them composed of storytelling, mannerisms, and attachment. The memory of them is a tape loop; very dense and repetitively patterned, yet each time it comes around I feel renewed.”

Eddie Petersen has been commissioned to look after the two Gonzales sisters, daughters of a Central American oil magnate, along with their friend Juanita Perez and their travel companion Maria Mattoni, and to show them Hamburg.

When a well off man from the city arrives in a hick town to woo a wealthy widow, he encounters first an ornery model T ride to the shabby hotel, then his rival for the widow as they go on to a local fair. tempers flair and a challenge to a boxing match is met. Edited and adapted from Hard Knocks and Love Taps (1921).

The constantly changing tide of human advancement.

When modern artists embrace her forgotten album "Just Another Diamond Day," failed U.K. folk singer Vashti Bunyan experiences popularity like never before. This documentary profiles her disappointing career and astonishing resurgence 30 years later. Featuring interviews with Andrew Loog Oldham, Joe Boyd and Robert Kirby, this charming movie follows Bunyan as she takes a nostalgic road trip and prepares for the biggest concert of her life.

Recorded on May 6, 2018 in London as part of the “Brit Rock Must Be Destroyed” tour, ‘Party Over Here…Live In London’ pays homage to their best hits and celebrates their live comeback that opens an exciting new chapter for fans.