Godzilla Saison 1

Takusatsu heroine Lequio is here to stop Godzilla! Or is she? An entry for GEMSTONE’s Creators Audition, a collaborative project between Toho Co., Ltd. and AlphaBoat in which Japanese artists and filmmakers competed in a challenge to create new works inspired by the Godzilla series.

A CGI-animated short movie featuring Godzilla and Gamera.

Chibi Godzilla dances with Yoshio Kojima.

Two teens bear witness to a monstrous discovery, and cross paths with a secret government organization determined to study the creatures. But with the military’s plan to destroy them using nuclear weapons, the fate of the world rests in their hands.

The second student film made by Shinya Takeshita at the Osaka University of Arts. This serves as a Godzilla fan film where Takeshita reuses his concept from his previous short, and portrays every character as an homage to classic kaiju egia as well as the jidaigeki drama series.

Godzilla Battle Royale is a low-budget Godzilla fan film, directed and written by Billy DuBose. It was theatrically screened in the Pickwick Theater.

The Y2K bug attacks the Calico and the only hope the crew has at surviving... is Godzilla.

Baby Goji tries to get her brothers to play her campaign. It goes... well?

Behind the scenes of Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack.

The dramatic conclusion to the Kaiju Century War Saga.

A look into the production of the nineteenth Godzilla film. Includes filmmaker and actor interviews with behind the scenes footage of the film's visual effects. Includes an interview with Akira Ifukube and a brief discussion of the late Ishiro Honda.

Marina, an upper-class girl, is dating a man in a bar located in a dangerous neighborhood in Rio de Janeiro. Zeca is a black man who is making a grafitti nearby. Three mysoginous and racist policemen go there to make what police is not supposed to do.

This is a hybrid cut of both the original Japanese version The Return of Godzilla and Godzilla 1985, meant to combine the best aspects of both. This re-edit seeks to accomplish a happy medium between the two versions. The film will still be highly critical of both the United States and the Soviet Union, and will work to marginalize the more humorous aspects of the added Pentagon scenes. Their inclusion will fit better with the bureaucratic behind-the-scenes narrative of the original cut, and most additional music from the American cut will be included. All Japanese dialogue will remain intact, with English subtitles. Finally, this cut will feature a brand new opening to the film, one that seeks to definitely tie the new Godzilla to the original beast in an eerie and unforgettable way. In short, Godzilla: Resurrection will aim to be my definitive version of the return of the King of the Monsters.

Promotional short for following good etiquette at Toho cinemas.

One aspect of Japanese fantasy films that often goes overlooked is the significant part that women play in the drama.

He's defeated Mothra. He's defeated King Kong. He's defeated Monster Zero and Mechagodzilla, but he has never faced an adversary like this. Godzilla takes on Charles Barkley! It's the battle of the century. A 1992 short film co-financed by Nike and Toho in which Godzilla plays basketball against a kaiju-sized version of NBA star Charles Barkley in Tokyo.

A lengthy discussion on the film's story, the villain, themes, getting the picture off the ground, the script, the shoot, visual effects, and much more. The piece includes making-of footage from the shoot as well as filmmaker interviews.

A classic "fly on the wall" feature that takes audiences inside the making some of the film's key scenes, followed by a clip from the end product.

In the middle of the computer era, Holland receives a visit from an old-fashioned Japanese film monster. A devastating tourist visit.

In a timely precursor, this 40 minute talk sees Alexander Kluge and Joseph Vogl return to their customary roles. Kluge feigns the curious lay reader. He defers to the professional diviner of high and popular culture, Vogl. Together they make a sort of Dante and Vergil team, undaunted by the hellish difficulties in their pursuit of meaning and complexity. And these are the questions they ask themselves: Moby Dick - Ahab. Who are they? Godzilla. How does it compare to MB? What is monstrous, what is monstrosity?