Get Out There

Two young Algerians born in France leave the Paris region to return with their parents to the village of their origins. They speak neither Arabic nor Berber. First barrier which isolates them from their new environment and which is further accentuated by the problem of generations, present here as in France. The social position of Algerian women posed to young emigrants is more immediately felt and proves to be a generator of conflict. Thanks to the plot, it is the whole problem of the reintegration of emigrants in their land of origin that the film poses and illustrates.

In a modern family, each of the adults is busy with their own work. The mother of the children writes a scientific paper. Their father is a television reporter and travels the world. Their grandmother invents gadgets for teaching at school. They don't have time for children in the family. At some point, the parents realize their mistake.

A complex landscape of improvised situations immersed in a perpetual network of mines under the Slovenian town of Trbovlje (Iztok Kovács' hometown and his main source of inspiration). The realistic imagery of this post-socialist city, which seems to still exist outside of time, has triggered the impulse of this introspective introspection by a team of renowned dancers and filmmakers. The physical tension and human flashes of seven bodies crashing into a deliberately chosen enclosed environment, surrounded by the unlit warmth and humidity of the underworld, inhabit and create the poetic mood of the film, echoing Tarkovsky and Beckett.

To stay below a 1.5 degree increase in global temperature, we must leave between 60 and 80% of fossil fuel reserves in the ground. Which energies should be preferred to replace oil, gas and coal? Renewable energies or nuclear energy?

Michael Mosley takes an informative and ambitious journey exploring how the evolution of scientific understanding is intimately interwoven with society's historical path