Futures

A brooding businessman reads his own suicide note on a roof. He ponders many questions about time travel.

A historical fantasy that unfolds a mysterious story between a high-school girl from Urasoe and Satto, the king of the Ryukyu Kingdom.

Chinese comedy

Iranian Star Wars knockoff about the adventures of two boys in outer space.

Humanity has been desolated and only machines are left to roam the world.

A Choice of Futures was a Canadian television miniseries which aired on CBC Television in 1967.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

A 16-year-old boy grows up in the '60s, experimenting with life, sex, drugs and alcohol.

Looking back at footage of Venice Biennale 2011, The Artist remembers the optimistic feelings felt at the time, the projected careers, the romantic setting and how art meant something. The Finnish pavilion was closed when the footage was shot because of a fallen tree. Was it a sign? The sinking city echoes The Artist's current sense of resignation. The piece shifts from video footage into cartoons with speech bubbles, perhaps in an effort to reclaim the voiceover from a romanticising of ennui that seemed to be setting in. Is this a new beginning? Liberated from its ambitions for an illustrious career, art has now become a more metaphysical means of survival.

This year's LOST LANDSCAPES pictures the infrastructures, peoples and landscapes of California, centering on San Francisco’s everyday past and the futures we have tried to build. Casting an archival gaze on San Francisco and cities, towns and places throughout California where nature and culture meet, the film recalls moments in the history of our state's resources, the scars of settlement and its backbones: transportation, extraction, communication, travel and labor — all intersecting in a panoramic city/state symphony documenting the past and suggesting possible futures in an age of systemic uncertainty. This year's film (the 17th!) combines home movies, government-produced and industrial films, feature-film outtakes and many other surprises (including many newly discovered San Francisco historical images).

Release date for NA is set on November 29th.

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

An exhalation of social and architectural failures under the guise of possible futures.

Ladakh, or Little Tibet, is a wildly beautiful desert land high in the western Himalayas. It is a place of few resources and an extreme climate. Yet, for more than a thousand years, it has been home to a thriving culture. Traditions of frugality and co-operation, coupled with an intimate and location-specific knowledge of the environment, enabled the Ladakhis not only to survive, but to prosper. Then came development. Now in Leh, the capital, one finds pollution and divisiveness, inflation and unemployment, intolerance and greed. Centuries of ecological balance and social harmony are under threat from modernisation. The breakdown of Ladakh's culture and environment forces us to re-examine what we really mean by progress - not only in the developing parts of the world, but in the industrialized world as well. The story of Ladakh teaches us about the root causes of environmental, social and psychological problems, and provides valuable guidelines for our own future.

This profile of trailblazing transgender choreographer and activist Sean Dorsey features powerful dance sequences to reinforce the fact that trans, gender-nonconforming, and queer people are strong, wise, powerful, beautiful, and visionary artists and leaders.

Live Performance of the album Futures

Documentary about architecture in Beirut

The motions and gestures of military riot police, slowed down while performed by dancers, are surprisingly beautiful. Menace and violence estranged from context and time looks eerily strange, and all too familiar. In this gallery piece, Isaac Chong Wai somehow anticipates, a year early, key images of the Hong Kong protests.

On August 6, 1945, the first-ever nuclear bomb deployed in war was dropped on the city of Hiroshima Prefecture, leaving an estimated 140,000 dead in its wake by the end of that year. Among the victims, one particular age group stands out for the sheer number of fatalities sustained: 12 and 13 year-olds, children of first year junior high school age. We investigate the tragedy of this lost generation, piecing together surviving records and speaking with survivors, for whom the memories of children robbed of their futures that day are still burned deep in their memories, nearly eight decades on.