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Alexey, still a young man, found himself in an extremely difficult situation. He must devote most of his time to his mother, who is almost completely paralyzed after a stroke. His situation is aggravated by the fact that his mother, once an actress in a small provincial theater, no longer sees the point of living.
This documentary is a director Kim Dong-won’s only autobiographical film that was produced as a request from the video festival. The film starts with the director’s son declaring that the film should start with a blank background with a title reading “We will now start Tekken Family” and then the director’s voice asking his son “ Have you ever seen a film start like that?” The whole family sits in front of a game machine playing Tekken and having a joyous time. This image of the family is very much different to the passive and disconnected image of a family portrayed in People in the Forest of Media.....
Twenty-something Se-young, thirty-something Kyung-eun, and forty-something Kyung-soon all try to find the true meaning of their existence within a family that constantly violates the self while Vincent, an American adoptee, mocks Korea’s ‘blood relations obsessed’ society.
Ghosts only exist if you are afraid of them.
This story is like a flash of a match that fades quickly, but leaves a mark…
It is hard to find a family home where all the members have gone to live their separate lives in different parts of the world. Travelling between different continents, the director visits divorced parents and their new partners and also meets her sister who decided to join an alternative community. Their family exists on archival films and photographs only. Is it still possible to put it all together against all odds?
Autumn 1978 in suburban Sweden. Everything seems to be fine with the middle class Bendrick family with their two teenage children and a younger son, until the mother starts seeing her first love again after 20 years. Just like their badly built house, the family façade starts slowly crumbling into pieces. The daughter, 15, finds her first love, and the boys too are puzzled by their own questions around adolescence and sexuality. The father tries to keep up a happy face, while the youngest son is the first and the most sensitive to realize how the family is heading towards a disaster.
Things are not going well at work for both Meirzhan and Dana. Their friends, on the contrary, have everything "in chocolate". Their whole life is trips abroad and numerous hangouts. Dana's friends laugh at her that they don't go anywhere. Dana begs her husband to take her and the children somewhere, but Meirzhan does not have such an opportunity. One day he comes up with the idea to take a minivan at work and take his family to Aktau, to the sea. On the road, the family is waiting for numerous dangerous adventures.
The cat and the pussy-cat met on the roof, near the chimney. They liked each other and decided to get married. Guests and neighbors gathered for the wedding. The photographer made a wedding portrait in a frame. Gifts, congratulations, songs and dances. The generous and cheerful feast is over. Family everyday life came, and with it the first misunderstandings, quarrels and resentments.
An inside look at the Busch family of the famous American beer empire.
Abed A-Salim is the Mukhtar of the Gypsy community in East Jerusalem. His family has been typing requests for visitors at the Israel Ministry of Interior Affairs for three generations.
A French family comments on what's on TV tonight.
Short film by Daniele Zanelli released as part of the '4 Nightmares' anthology.
This is the story of a Russian family who in September 2020, after several months of quarantine and online training, sold their only house in Oslo, closed their mortgage and rented a yacht for a year to go on a trip with their three sons (9, 7 and 5 years old). In the middle of their 10-month regatta in Lisbon, they were experiencing a tipping point - to move on or stop. This story is about how to stop being afraid and start living your life, and not the life of your children, how to escape from a pandemic, lockdowns and restrictions. And how to re-learn to enjoy the little things, like water in the shower or the absence of mold on the ceiling.
In Cenas de Família, Persici records both playful personal moments and everyday happenings throughout the municipality of Castelo. The filmmaker tours around the state of Espírito Santo by car and train overjoyed with the registration possibilities of his camera. Today, Cenas de Família, which is the only surviving film of Persici, is considered to be one of the most important historical documents of early Brazilian cinema.
Two rival families, (one conservative, another liberal), meet in the office of a "new age" psychiatrist and his multiple personality assistant, in order to resolve a "little problem" with their children. They are missing. The only lead they have is a note which only the psychiatrist can decipher. The doctor, his assistant and both families embark in a search of adventure, that will not only discover the children's whereabouts, but also the prejudice, the fears and the hypocrisy with which we liv as adults.
Four hundred animal portraits. This film was made for the renovated Grande Galerie in the National Natural History Museum in Paris.
Everything seems to be normal in this family dinner. However, what looks like harmony, soon becomes a stressful situation, when secrets are revealed.
In the prosperous and chic apartment of the Christiansson family there are odd things going on. While Niclas is in the kitchen preparing dinner, in the bathroom an adultery is being committed through new technologies. Maja is exchanging kinky messages on her mobile phone from the bathtub while her husband and daughter are impatiently waiting for her to have a family dinner. Even when her phone is out of battery, she cannot bring herself to stop.
Dealing with grief and the passing of time, Lao is an old man whose son is living far from Macao. Left without friends or anyone with whom to leave a precious family relic, his heirloom seems bound to be forgotten. Until one day...