Family S O S With Jo Frost

The root of all evil starts at The Family Tree.

The sleepy town of Murdoch is reawakened when young women in various stages of pregnancy begin to die at the hands of a brutal killer. As Blair Cassidy struggles with an overbearing mother and a less than happy father-to-be, she fears that the killer's focus has shifted to her. With her life spiraling out-of-control, Blair must fight for her own life and for the baby growing inside her. But the killer has other plans for Blair that are more terrifying than she could have ever imagined.

The complete reproduction cycle of the blue acara fish is pictured. Included are the processes of preparing the nest, egg laying, fertilization, care during incubation, nursery construction, transporting hatchlings to nurseries and guarding the young. Close family relationship of the blue acara is emphasized.

Documentary that traces the importance of familial history through student research.

This roller coaster ride begins with the Wealthy Mr. Beri slipping into his third Coma. His four estranged children have to make it back home to be there while their father "hopefully" breathes his last, leaving behind his huge estate in the mountains.

The story of Esme, an abandoned girl rescued by a family of monsters. But when one day a Swat team breaks into their lair her life is turned upside down and she is thrust into our world. Now she must decide which life she wants to lead, the life of a quirky outsider or the life of a 'normal' person in our normal world.

During the Second World War, a special constable and former solicitor is called upon to defend his son who is accused of the theft of a car

Family of Fear follows an eclectic group of artists, actors, and all around spooks as they come together to make Arx Mortis in Killen, Alabama one of the scariest attractions in the country. They don't do it for money, they do it for scares, and for support and love. Many of the spooks have suffered from bullying, depression, dysfunctional family, and being treated as outcasts. The haunt is their home and the other spooks are their family. Rather than do other "bad things" they take out their aggressions scaring patrons every Halloween and they build each other upper, laugh, cry, and scare as a haunt family. It's scary, funny, and shocking. Join the family of fear.

Two sisters decide to create the perfect family for themselves by way of taxidermy.

THE FAMILY ALBUM is a one-hour experimental documentary film utilizing a vast collection of rare 16mm home movies from the 1920s through the 1950s. These home movies are exciting authentic documents of American folk history and culture, taken from the personal vantage point of the amateur photographic eye. Subjects span the entire spectrum of the traditional home movie idiom, including mixed racial, ethnic, economic and geographic sources. Structured from birth to death, THE FAMILY ALBUM is a collage film that weaves its elements into a composite lifetime, passing through the celebrations and struggles from childhood to adulthood, from innocence to experience. It is a universal yet intimate portrait of the American family, not scripted, not rehearsed, not immune to the conflicts and contradictions underlying family life and its rituals.

A close-knit family comprising of five brothers and a sister-in-law work hard to send the youngest brother to city for education. Things go haywire in the family as they feel the pinch of not being able to meet the monetary requirements of the younger one.

Noa Wildschut is 14 years old and is currently being considered the greatest young violin talent in the Netherlands. She played several times solo in the Concert Hall aswell as on foreign stages, and appeared several times on television. Noa is very close to Avigal, her sister who is one and a half year older. They visit the same school and have the same friends. Avigal also plays violin but is more ambitious in other areas: for example, she wants to graduate from high school early. Together with their parents Liora and Arjan, they are a close family. Father Arjan is alto violinist and mother Liora is violin pedagogue and the driving force behind the daughters' ambitions. 'A Family Quartet' follows this musical family for two years and highlights the unique relationships that arise from the exceptional talent of Noa. Simultaneously 'A Family Quartet' is also a coming of age film about two sensitive girls in puberty, each seeking their own path in life.

Not surprisingly, this is not your usual amateur movie of a family at home at Christmas from Leeds’ most inventive amateur filmmaker, Alan Sidi. Here Alan both introduces and postscripts his film in his characteristic relaxed manner, with a liqueur and sherry in hand. This is a family that has got Christmas off pat, with all the usual trappings, making it a highly civilised affair.

An intimate portrait of hippie elders and their adult children, filmed over a 10-year period at a communal ranch in New Mexico.

Comedic avant-garde animation of The Simpsons.

Peggy's serene family life takes an unexpected turn when a door-to-door salesman, arrives offering a free luxury vacation. This encounter unravels layers of her seemingly perfect existence, delving into unspoken emotions and buried secrets.

In an old and mysterious house, a young girl has not left her dark room for years. A social worker enters this house to save the girl's life.

In the 1960s, as West Indians, Pakistanis, Indians and Africans began to arrive in Britain from former British colonies, race became a political issue. In the 1964 General Election, a swing to the Conservative Party in Labour’s Smethwick constituency and Enoch Powell’s “rivers of blood” speech on immigration four years later put attitudes towards ethnic minorities on the political and social agenda. In One British Family, made in 1974, John Pilger focuses on Gus and Julie Gill, who arrived in Britain from Trinidad in 1961. They now had three children and their own house on Tyneside, where they were the only black family in the street. “They take less from the social services than the equivalent white families,” says Pilger. “They’re not on any council’s housing lists and they’ve never been out of work.”