Family S O S With Jo Frost Sais

Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.

Two mafia bosses, Don Antonio Marchesi and Don Peppino Scalise, battle over building contracts in Palermo.

Sequel to 'Manure Family Robinson'.

23 years after Ruben Östlund's parents divorce, both his mom and dad are single again. With a child's hope of an entire family, he tries to reconcile them in front of a new outward eye, the camera.

Tobias is in the middle of his life, works at an art museum, divorced and living with his 16-year-old daughter. His ex-wife is struggling with her new life, his brother is looking for excitement in life by being unfaithful and his daughter longs to move away from home. Close to Tobias are also the beautiful journalist Liv and the straightforward primary school teacher Graci.

A family that runs a pawnshop has a few skeletons in the closet.

This is a story based on true events that tells the misadventures of Martha, a woman who is near 40 years old and wants to have a child. She will encounter many problems, some due to their sexual status (she is lesbian) and by the age difference between her and her sentimental affair, who will cost more to get the idea.

An inside look at the Busch family of the famous American beer empire.

Joe, fed up with his in-laws, runs away from home. Enjoying his newly gained freedom and his father-in-laws credit card, he seduces a number of girls, buys them expensive presents and wines and dines them. His joyride soon ends when he finds out that his wife - and several other girls - are pregnant.

A young witch visits her cousin in a small town during a heated mayoral election race. Her kind-hearted cousin, the town’s beloved “good witch” and newlywed with two teenage step-kids, is running for office, but must keep her family from falling apart when their visitor uses her magic to put them—and the whole town—under her bitter spell.

It’s ABBA night on Mallorca, but before things get started, Totte (Kodjo Akolor) warms up the audience with some gospel. Johanna Ställberg puts a twist on woke culture with a charter satire that pinches where it hurts.

Biggi lives with her two daughters, four dogs and her exboyfriend Alfred on a dilapidated farm in a small village in Saxony-Anhalt. Biggi and Alfred are out of work and they live very modestly. The 14 and 17 year-old daughters Saskia and Denise should really go to school, but there are always reasons for them to stay at home. This gives rise to tension with Alfred. We accompany them during their conflict-ridden everyday lives and learn something about their dreams, fears and hopes. And how difficult it is to break out of a circle.

The film reconstructs the memories of a divorced family with empathy yet merciless precision. An intimate family story emerges during the investigation into the reasons for the separation. Hinging on the subtle and touching testimonies of the family members, the film delves into complex interrelationships. Actors bring the family's memories alive as if they were their own. The result is a chronicle of a family drama, which the real protagonists complement and comment on – a reflection on the mechanisms and dynamics shaping and directing their family life over the years.

The 25-year-old daughter has moved back home to her aging parents. We get to follow the family members in their sexual fantasies, their attempts at family solidarity and their vulnerable health. What do they do together? And what do they do in privacy?

The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.

An accident during a holiday trip leaves an entire family decapitated, and yet they continue to live their lives, although under the curious eyes of their nosy neighbors.

A Finnish family gathers together to spend time at grandparents’. When the night goes on, we realize that this is how things always go. With a warm and subtly humorous gaze, the film looks closely at the unspoken structures and norms inside a family.

Here is a family struggling with an everyday battle a box of noodles disappears in a couple of days, 20kg of rice gets devoured in just a month and laundry piles up so quickly. Nothing comes in abundance, neither food nor clothes, and there is frequent bickering, yet these ten children are closely bound by not blood ties but affection. They take after their uncle, i.e. their 'unmarried father' who warmly looks after them. One by one Kim Tae-hoon-III has taken in North upcoming Korean refugee children in similar circumstances, and now there are already ten.