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When an extremely wealthy family loses everything, the patriarch is forced to sell all his properties to pay off his debts to the merchants. He pushes his family to take on mundane tasks like washing carpets and cleaning vegetables to make ends meet.
Between parental love, youth welfare offices and bureaucracy, three educators try their hardest to create a temporary home for children. This is not always easy, as the most diverse personalities and their stories clash here. And yet the residential group becomes a kind of surrogate family for the children. At the back of their minds, however, is always the question: for how long?
In October 1970, members of the Front de Libération du Québec (FLQ) kidnapped Minister Pierre Laporte, triggering an unprecedented crisis in Quebec. Fifty years later, Félix Rose tries to understand what could have led his father and uncle to commit such acts. Thanks to the confidences of his uncle Jacques, who agrees for the first time to speak on the subject, and to the precious traces left by his father Paul, he revives the rich heritage of a Quebec working family and gives back to the October crisis its social dimension. The fruit of ten years of research, Les Rose allows us to revive moments and characters that we only knew through a few clichés, and gives a glimpse of the social blockage experienced by a rebellious youth and the upheavals that followed.
A black matriarch in the early 20th century is determined to free her children from the bonds of prejudice.
Julia always said that her upbringing as a biological child in a foster family was a happy time. But something is wrong. In The Foster Family, we follow director Julia's journey back in time, where she, together with her parents Ewa and Lennart and the foster child Patrik, recollect the shocking events that changed their lives over thirty years ago. The children are at the center of this strong, touching and warm documentary about a system where you can love, but not too much.
With the Griffins stuck at home during a blackout, Peter tells the story of "Star Wars Episode IV: A New Hope".
Surrounded by family and friends, Zezé Di Camargo and daughter Wanessa spend time together and collaborate creatively in this exclusive reality series.
In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn't seen in decades.
The Why Why Family is a French cartoon television series for children, which originally aired in 1996, written by Annabelle Perrichon and François-Emmanuel Porché and produced by Saban Entertainment and CineGroupe. Later, in 1998, the show was broadcast in the United States by Fox. Character design and others are vintage and comedy elements are also included throughout the episodes.
Set in Japan during the bubble era, this unique home comedy cheerfully and humorously depicts the daily life of a strange family that works together to accumulate a small amount of money, while mixing irony and satire.
Ten years ago, British photographer Samara Pearce accidentally learned an incredible story about her family: her great-grandfather, Austrian Alexander Wienerberger, witnessed the Holodomor in Ukraine in 1932–1933. Feeling a connection to her great-grandfather, 90 years after the Holodomor, Samara embarks on a creative expedition to the Kharkiv region to take her own photographs of the genocide of Ukrainians that continues to this day.
The happy gay couple David and Khaled would love to marry publicly - if there weren't Khaled's homophobic father Faisal, David's pseudo orthodox Jewish acting mother Lea and a possible paternity and gallery insolvency.
Gabriel Pelletier, sales manager for a major industrial firm, would be the happiest of men if he didn't have a family of rare originality. The day Gabriel Pelletier is asked by the firm's management to welcome and accommodate an important American industrialist who has come to Paris to handle a major contract, he realizes the difficulties that lie ahead. How will Mr. Strumberger, who has the reputation of a fierce puritan, react to the behavior of the various members of the family?
After blaming himself for the suicide of his best friend, an art prodigy crawls out of drunk isolation to find redemption in taking custody of his best friend's defiant son.
Jan thinks he is Swedish-Danish, but after his mother's death he discovers he was adopted. As his world begins to fall apart, he decides to find his birth parents. The hunt leads him to Portugal - in a taxi - where more surprises await him.
A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.
Story of a family. Problems, marriage, taxes, revenge, friendship, army, life and much more.
Most new immigrants are always involved in the activities of gangs. Although some of them are very smart and have established good business, people still call them "Big Circle Guys" indicating that they are outsiders to us. Ching Chi Kuk had come to Hong Kong with his brother Ching Chi Pang, sister Ching Siu Ming and brother-in-law Chi Wai since the middle seventies. Within a few years, Kuk being smart enough, had become well-known among the gangs. Once in an activity, Kuk was arrested and confessed guilty for his boss. Kuk was sent to prison and became a scapegoat. When he was released from the prison, Kuk decided to turn over a new life. During Kuk's imprisonment, his brother Pang joined the gang...
Wataru, a young, nerdy man who also narrates the film's story, uses some of his time to peep on his parents having sex, as well as on his sister, and is often seen masturbating to a porn magazine.