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A Tokyo business man returns to his home country of Mexico where he must battle rivals to replace his grandfather as the head of a cartel.
Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.
Fátima is unfairly accused of a murder and she spends 10 years in jail away from her family, crying out for justice. A decade later and now a free woman she seeks out to recover the time lost and exact vengance to whoever framed her.
Luego de 5 años de ausencia de los escenarios, el trío más taquillero volvió al ruedo con un show único. “El regreso del humor” es sin duda una demostración de que el talento sigue intacto mas allá del tiempo que ha pasado desde sus comienzos en Sta. Fe allá por el 83’. Un espectáculo totalmente renovado, divertido e impactante donde el espectador no puede dejar de reír a carcajadas con las ocurrencias del trío. Uno de los integrantes del grupo declaro ¨Volvemos al teatro porque nos permite viajar comer asados, chupar y llevar unos pesos a casa”. En verdad volvieron porque si había algo que nos estaba faltando a los argentinos era que regreso el humor a nuestras vidas.
It revolves in a dramatic and comic framework, where the events of the series revolve around an ordinary girl named “Heba Abdel Aziz Al-Najjar”, who was accepted to work in a large fashion company after many other companies refused to hire her because she is not beautiful, and she is exposed through her job to dealing with different social levels, the highest layer of it. ; This affects her life, especially her constant feeling that she is ugly.
Abbas Al-Aflatouni (Ismail Yassin), the grocer, went to Alexandria to redeem an olive message, anchovy, and cheese. Fleming arrived at him from Greece, and he was late and went to Locanda to reside there, but he did not find an empty room. Abbas Al-Platoni, the lawyer thought it the famous star, and was welcomed by the Locanda workers everywhere he goes, and the guest Hilal Bey Moon (Abdul Nabi Muhammad) watched him seeking the accompaniment of celebrities and their pride.
The return of Lucas tells the story of a well-off family who loses his eldest son, Lucas, 4 years old on the beach. Elena, his mother, is obsessed with finding him because he feels he is alive and never stops looking for him, neglecting his other children, Catalina and Juan, and her husband, Reynaldo, who took charge of the family and the company.
After 20 years of the disappearance of Lucas, a photo of his son arrives at the mother's hands. A new track to follow that renews Elena's hopes of finding her son. Until one day, a young man shows up at the house of the Diaz Ayala family claiming to be Lucas. Will he be his lost son?
Abduljawad is separated from his wife Iglal, and he left her with their children Hashim and Samira. Hussein proposes to Samira, but when Hussein's father insists on meeting Abduljawad, she turns to her brother Hashim, to persuade their father to go and see Igalal who still loves him.
La Llorona, a supernatural being who seeks revenge for the death of her daughters, attacks a group of young people on vacation at the beach after they accidentally kill a young girl.
Minutes before her perfectly planned evening, Lily accidentally summons a genie from a vinyl record. The fairy-godmother-like Reggaetonero is convinced he can help her woo her date, but Lily is skeptical about his methods.
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Mexican feature film
After a decade abroad, Antonio returns to Costa Rica for a short visit. Unable to run away as usual, he is confronted with everything he has desperately struggled to put in the past: a broken family, an ailing father, a violent country and long lost friends.
L'Hermite returns and will seek his revenge in the sequel to Piratas en el Callao
