Dyed In The Wool

Junichi Nagase was a real delinquent in middle school, one nasty enough that he earned the nickame "Geno Killer," and it's by this less than flattering epithet that Yuuhi Katagiri first comes to know him when he rescues her from two thugs one evening. Needless to say, both are stunned when not only does Yuuhi find herself transferred into the same high school class as "the Killer," but that shock grows into outright stupefaction when Yuuhi shows up at Junichi's house with the mind-blowing announcement that she's supposed to move in with him! It seems that they're engaged, and since this is the first that Junichi and his younger sister Minato have first heard of the arranged marriage set up by their parents, it's an idea that's going to take a little getting used to. Get ready for ties that bind and gag as bad boy and good girl collide cohabitationally while the entire school gets to watch!

Tokiko’s mother died 20 years ago and her father Tetsuya is now in his 70's. Her father has a free spirit and is cute. Tokiko is in her mid 40's and still single. She has a strong personality. In their past, Tokiko and Tetsuya did not have a good relationship. It got so bad that they almost ended their relationship, but now they occasionally meet. They go out to eat together and have conversations. Tokiko decides to publish an essay about her father Tetsuya. To collect information for her essay, she meets Tetsuya and listens to various stories, but it's not just pleasant memories.

During Ev’s endless job search, Freddie winds up in awkward social situations, where he can’t seem to bite his tongue.

Mother Lissy, father Gerd, son Tom and daughter Ellen: the members of the Lunies family are estranged. But confronted with death, they finally meet each other again.

When a mysterious visitor appears, the life of Yong Cheng, owner of a store that stocks aphrodisiac products, changes dramatically. He becomes the exclusive selling agent of a cheap Indian generic drug against Chronic Granulocytic Leukemia in China. Not only does Yong Cheng see his profits skyrocket, but he is dubbed the god of medicine“ by his customers

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

One night, Amemura Shinsuke, a bartender at a Nishi Azabu bar in Tokyo, is attacked by a male stranger and loses a part of his memories. However, he soon learns that he caused the death of a woman called Kishinaka Minae in a traffic accident one and a half years ago. And the man who came to attack him and later committed suicide, was her husband Reiji. For some reason, Shinsuke is frequently advised by the people around him that it is better not to recall bad things. He begins to have misgivings about the truth of the accident. Then when Shinsuke returns to the bar on one rainy night, Ruriko, a woman in mourning clothes and of unwordly beauty, shows up all of a sudden. From the time of her appearance, Shinsuke descends into a world of madness and anguish. Does she truly exist or is she a figment of imagination conjured by a guilty conscience?

During the anticipation of an upcoming state election, a brooding Aussie senator tries to win the hearts of conservative voters.

Tang lives alone in a cave in the mountains. He spends his days trekking and meeting friends in the local town. While this self-styled hermit has lived for years with almost no money, now he dreams of becoming a successful entrepreneur. Coming down from the mountain, he meets local businessmen and old friends, pitching them a series of outlandish money-making schemes – from a campsite on the rooftop of a local hotel, to a 300-day-long hermit experience for tourists. With a deep urge to live a meaningful life, Tang is confronted by the prejudices of townsfolk who see him as nothing more than a local oddity.

On the edge of a wordless world, deep in the misty mountains of the Caucasus, an old man watches the blue sky die and be reborn above him.

Sebastián is accepted into an important dance company so he decides to leave his family. When Arsenio joins the company, they begin a torrid romance.

In 2012, awarded filmmaker Hernán Zin suffered an accident in Afghanistan that changed his life forever. The traumas he had been accumulating during 20 years of war reporting suddenly imploded. He began suffering depression, loneliness and self-destructive behaviors. Searching for answers of what happened to him, Hernán Zin decided to interview other journalists. He asked them about their traumas, their losses, their fears and their families. DYING TO TELL is the first documentary film ever made about trauma in war reporters. It is a brutal and torn portrait of war, and a tribute to those who risk their lives for the world to be informed. —Contramedia Films