Dom Saison 3

A people-pleaser recently back in the dating pool goes on an ill-advised date with a sexually submissive man to prove to her doubtful friends that she could totally be a dom.

The story of two migrant workers - the old Ukrainian and young Georgian, who had undertaken to build a home for the new Russian (more accurately, Estonian) - becomes a reflection on universal total isolation, a deep public homelessness, in which we live. And the House that they are forever being repaired is our home, where everything seems to be ready for life, but which is open to all winds and because for that life itself is not suitable, since it is the abyss, on dirty Gigi general lawlessness. He does not admit the people themselves, and we are all in the wrong.

Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.

1945, Zofia Szablewska, a repatriate from the East, arrives in the former Breslau, now Wroclaw. He lives in a former German villa - the House under the Two Eagles. Zofia's roommate is Jan Liski, an officer of the Security Office who raises his stepson, Kazio, alone. Zofia uses the Red Cross to search for her husband Antoni and son Zbyszek, with whom she lost contact during the war. The commemorative clock left by the Germans brings back memories of her native Kresy, the Nowosiolo estate and the beginning of her love with the Polish settler - Antoni.

Worker's quarters on Vida Pregarc Street, Ljubljana: a house originally built to accommodate construction workers has storeys, three entrances, and as a result of the privatization process, nineteen owners. The fates of its residents vary...

Dominic Littlewood goes behind the scenes with the hidden army of workers shifting goods and services from the factory floor to the front door.

The feature film debut of director Marek Koterski. Thirty-year-old Adaś Miauczyński visits his parents, which ends with his nervous breakdown.

The film is set in a youth home, which houses children who have been removed from socially inappropriate environments.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

Adam is a twelve-year-old boy living in the Slovak countryside. He is a local lumberjack and also has various odd jobs. Basically, he likes to do everything. Although life is not easy, he can see beauty everywhere.

It tells about the fate of the inhabitants of a tenement house at Złota Street in Warsaw from 1945 to 1980

The film presents the life and work of two sisters Grażyna and Violetta, who run a center for homeless men. The heart and unconventional approach to their children makes them build a real home together.

One in five families in Croatia lose their apartment or house due to being unable to pay back credit or keep up with overhead expenses. The rigorous Seizure Law provides banks and other institutions with an easier way of gaining real estate. When the system fails, when a citizen has nowhere to apply for assistance and when the unscrupulous administration dislodges them from their flats or houses, then young activists arrive to help and with their bodies prevent the execution of the eviction. HOME has recorded grievous scenes from the very places where the cordons of special police use force to drag away children, women, the young and the old - whose one and only wish is to stay and live in their only home.

João Barbela is poor man who lives out of charity - what coins the people of Lisbon's popular districts give him as 'pay' for his puppeteering work. For the kids, he is like a king, Dom Roberto = puppet). When he meets Maria, an equally poor girl, he fancies to change her life, and get her a house, maybe marrying, and being happy together.Life does not exactly have a happy ending, like he managed with his puppets 5-minute plays...