Die Sache Mit Den Juden Saison 1

In recent years, resentments and hatred towards Jews have become increasingly aggressive, louder and more brutal. What is at the roots of this development? Statistics show an extreme rise in anti-Semitic incidents in Germany but also worldwide. Berlin, for example, has become the city with the highest number of such attacks in Europe. Whether it’s from the left or the right, among Muslims or simply in normal everyday life - Jews and Jewish institutions are increasingly being threatened and violently assaulted in this country. In this series by Richard C. Schneider, experts and scientists, as well as those affected, attempt to explain the intentional or unintentional mechanisms of anti-Jewish hostility on the basis of historical, social and ideological developments.

Perfect lover Bruno has no idea that 'air hostess' Michelle postpones moving in because she's a Munich waitress leading bigamy-like multiple lives while lacking a proper self-image. Bumping into study roommate, stick-tied-up boring hairdresser Doro(thea), Michelle poses as manager of her son Jacob's favorite pop band and accepts an invitation to the Wolfratshausen home. Doro's cop husband Matthias isn't amused to be spied upon by the eagle-eye he never could stand, as if he senses that the gay porn which Doro finds in the garage isn't about to 'compromise their son's future' as she rages but the result of her failure to provide marital satisfaction, unlike Mattias's hot newbie colleague Winnie. Truth time becomes inevitable for most of them, lots of courage is required to deal with it all

Christine Neubauer takes on an unfamiliar role for "Maria, Argentina and the Weißwurst": She plays a rugged perfectionist, who secludes herself from life behind her butcher's apron. Only in the distance does the Urbayerin manage to free herself from her own constraints and to take the heart into her own hands. Carlos Lobo in the role of the proud interpreter and Valentino Fortuzzi as a difficult nephew offer parole. Before the three pull together to bring the white sausage on Argentine plates, they must first gather together in the Culture Clash comedy by director Markus Herling.

While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.

Four guys sit around drinking beer and talking, trying to figure out the meaning of "the pompatus of love" (from the Steve Miller song "Joker") and analyzing their relationships with women.

Grégoire Lecomte, the unlucky actor anxious to find a "real job", goes to take a screen test for a role of a killer, but gets to mafiosi by mistake. He takes their don for a producer, and they mistake him for a hitman with whom they had an appointment. Deluded Lecomte signs contract with them. He is supposed to kill gun dealer Otto Krampe at his birthday party in Saint-Tropez by piercing him with a cap of the umbrella with a built-in syringe with potassium cyanide. Lecomte is not aware that it has to be a real murder.

Wilder and Wallace are brothers and pyrokinetics. Ever since childhood they've been able to start fires with their minds but following a tragedy in which they accidentally killed a man, the brothers have grown up very differently. Wilder has become a regular 9-5 workaday joe but Wallace performs his feats with a traveling circus. When the circus comes to Wilder's home town Wallace starts coming on strong to Wilder's wife, Vida who, ironically, is a slight pyromaniac.

A story of the location of shipwrecked treasure (gold ingots) being hunted down by 4 children George, Julian, Dick and Ann (sic) and their dog Tim up against a couple of machinating baddies...

Summer 1969 on the Mediterranean coast. Paul and Vincent are childhood buddies. On a beach one day, they meet Alice and her friend Eve. After a series of memorable adventures, couples fall into place but not quite in the right order. Alice blossoms elsewhere, Paul marries Eve and Vincent weds Marie. The 70s are in full swing. Thanks to the pill, women's lives change radically, sexology is in, feminists's voices can be heard loud and clear but unrestricted and free access to abortion has yet to be attained. Against the backtop of a decade marked by sexual liberation, these three girls and two boys will cross each other's paths, love one another, split up and reunite.