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Claire is a young mother and married to Georges, but she is also having an affair with bachelor Antoine, who is being kept by her good friend Madeleine, a wealthy fashion designer. But the meetings at Antoine's apartment, five afternoons a week, come to a halt when their partners learn the truth.
A man discovers his new love interest has a child. When they fist meet it's unclear who is embarrased more, he or the young daughter.
199/5000 De Lama's came to an end in 2008. Tijl Beckand, Ruben van der Meer, Ruben Nicolai and Jeroen van Koningsbrugge come together for the first time since their farewell to look back on that time.
Emma, an African woman, falls in love with Andrew, a white male. She loves him so much that she decides to abandon her husband and their two children... Seven years later, one of her sons recognizes his mother on the streets of Rotterdam. She recognizes him too and she thinks back to the last week before she left her husband and children.
Story about Elise and Helene, two sisters who do everything alike.
The story of Antônio Francisco Lisboa, the famed Brazilian sculptor and architect born in the 17th century who became known as "Aleijadinho".
Catherine Vidal is a featherbrained wife who imagines that her husband cheats on her. To wash away the alleged stigma, Catherine hires a young man who will pose as her lover. The (double) trouble is that not only is Catherine's husband innocent but that Catherine and her "employee" fall in love for good as well.
Dutch improv troupe De Lama's reunite for one more performance in the ZiggoDome.
De lama lâmina (2004) is a video extension of the performance created in collaboration with musician Arto Lindsay during the 2004 Carnival in Salvador. Instead of the traditional trio elétrico (a large mobile sound stage used during Carnival), an enormous tractor, which in the work performs as a kind of float, is accompanied by the Afro bloc Cortejo Afro. Between the wheels of the machine stands Greenman, a hybrid figure, part man, part plant, while outside, a character inspired by an environmental activist climbs the large tree being carried by the tractor. Fascinated by the relationship between seemingly opposing elements, Matthew Barney explores, among other topics, the connection between creation and destruction in both ecological and sociopolitical contexts. The title references two deities of Candomblé: Ossanha, the orixá of plants and vital forces of nature, and Ogum, the orixá of iron and war.
The mother of three children seems to become romantically involved with the man playing Don Juan in the same local countryside theatre where she is acting. The children decide to try to poison the man who is threatening their family life. The real life and the stage roles get intertwined...
