Cut To The C

Colombian Screenwriter and Filmmaker, Jhon Jatenjor, decides to make the Director's Cut of his Independent Horror Opera Prima, titled: OPERACIÓN AGRAMÓN... In which he shows the terrible exploits and deaths that the demon of fear has been causing inside the library center KYOR'Z... Will the seven mercenary parapsychologists manage to defeat the evil personified?

After turning thirty, Gmilla's dreams of emigrating abroad have collapsed. She meets Youssef who is also thinking of traveling and they make a pact that they will help each other to emigrate more easily. But the plan goes in an unexpected direction.

A mutilated and grotesque woman’s body chases after a man. The combination of the photomontage and text represents women’s labor, expressed through uniforms and clothes, and women who were sexually objectified, conveying feminist discourses and disciplines. The chased man never understands the existence or content of the images and texts. The blunt presentation of women’s unheard voices and objectified bodies, and the excessively-visualized images, demand immediate introspection.

Half-cut is a wondering processes about the efficiency of public transport strikes made in Portugal during, the so called, period of financial crises. Taking some issues to a certain degree of absurdity, another way of reclaiming work conditions is proposed. However, there is no way to go through it empirically, this struggle happens in a sound/image juxtaposition. Due to this conditions, new problems arise: the sound and the text start to shape the content of the image. The outcome of this process is reflected in a short sequence of a passing train.

Laly and Julia's girls-weekend-out with their flings rapidly turns from an idyllic escapade into a hellishly long nightmare when they discover that the guys' intentions are anything but good. When they realize they might be in trouble, it will be too late before the terror unleashes and forces the girls to survive the night all alone, with no others there to help them escape.

This film is the fifth in a series of documentaries “The history of Perm cinema in faces.” The history of Perm animation began approximately in 1965, when Svetlana Mozhaeva created the first hand-drawn cartoon "Seven I". Gradually the animation workshop got time-lapse filming equipment and a staff of artists. The collective portrait of Perm animation is built with the participants’ stories from the “Permtelefilm” period of the distant 60-80s of the last century.

Short fiction film about a decisive moment in the life and career of a young female surgeon. The operating theatre is ready, the lamps shine bright and the patient’s belly has been shaved and is ready to be operated on. The surgeon hesitates; the knife hovers above the skin. The moment brings back key scenes from her childhood that tell everything about her choice of profession and her hesitation to cut the patient’s skin.

Fernando prepares himself emotionally to shoot in Gran Canaria his most intimate film. To this end, he reviews some of his love letters from many years ago. Once on the island, Merinero will have to struggle with ghosts and memories of his past, manipulating emotions to reveal secrets straight from the soul and to bind up his wounds.

A film maker travels to explore an abandoned secluded youth home "Pohjola Manor" located in Northern Finland surrounded by ghost stories.

The story of a young man's journey in taking control of his life by facing his fears

After a hard day's work in the factory a woman spends her evening at home, lonely and full of desire.

With extraordinary, unprecedented access, Surviving the Cut takes viewers into the intense world of military elite forces training. From divers and snipers to para-rescue men and bomb specialists, the elite and how they earn a place in the coveted units are the focus in this compelling all new series.

Halina, an elderly hairdresser, who has lead a difficult life, works with her young, carefree assistant, Angela, upon whom she tries to impart in a motherly fashion, all of life's lessons. Their clients are exclusivley German seniors, who travel across the nearby border to the tiny Polish village, in search of inexpensive cuts. While occupying the barber chair they share their dreams, fears, and life stories. Halina's wish is that Angela stays with her until the end of her days, but will Angela put her own dreams aside to stay with Halina in the salon?

Gunnawin has returned for a few days to Sierra Nevada. She is a university student in Bogotá and is not willing to stay and accept Nawingumu’s courtship. However, the final decision goes through the Mamo. Framed in the majestic landscape of the mountains and the customs of the Arhuaco people, Kun Bi is a forceful dialogue between those who stay and those who leave.

The thematic framework of the anthology feature film DEEP CUTS is violence in all of its forms: as a destruction of intimacy, family, integrity, trust.

This work was made as a "myth" with the poet Nejime Shoichi as the main character. Nejime Shoichi, who aims to be a reading poet, rides a train to visit senior poet Iwao Abe and asks for the secret of reading. Nejime Shoichi is good at being "naked".

Hairstylist Shota Kawamura (Kento Hayashi) lives in Paris, but returns to Osaka when he learns his mother Sumire Kawamura (Yoshiko Tokoshima) his mother has passed away. He has a strong dislike for his father Goro Kawamura (Kotaro Yoshida) who neglected his mother. His father runs the small hair salon "Aozora." After his father injures himself, Shota Kawamura must fill-in for his father at Aozora and work employee Haruka Nakai (Rina Kawaei). Shota Kawamura learns that the business is experiencing financial difficulties.